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Lettris is a curious tetris-clone game where all the bricks have the same square shape but different content. Each square carries a letter. To make squares disappear and save space for other squares you have to assemble English words (left, right, up, down) from the falling squares.
Boggle gives you 3 minutes to find as many words (3 letters or more) as you can in a grid of 16 letters. You can also try the grid of 16 letters. Letters must be adjacent and longer words score better. See if you can get into the grid Hall of Fame !
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|Admin. region||Lower Franconia|
|Mayor||Peter Schmitt (CSU)|
|Area||50.92 km2 (19.66 sq mi)|
|Elevation||165 m (541 ft)|
|Population||3,914 (31 December 2011)|
|- Density||77 /km2 (199 /sq mi)|
|Time zone||CET/CEST (UTC+1/+2)|
Amorbach is a town in the Miltenberg district in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany, with some 4,100 inhabitants (as of December 2006). It is situated on the small river Mud, in the northeastern part of the Odenwald.
The town began as a Benedictine monastery, (Amorbach Abbey, or Kloster Amorbach), which bit by bit grew into a settlement until in 1253 it was raised to the status of a town. Over the years, the town changed hands several times. It was part of the Bishopric of Würzburg until 1656, when it became part of the Archbishopric of Mainz. As a result of the 1803 German Mediatisation the Archbishopric of Mainz was secularized, and Amorbach became the residence town of the short-lived Principality of Leiningen. Only in 1816 did it become definitively Bavarian. In 1965, Amorbach became an open-air resort (Luftkurort).
The following centres have been amalgamated with the town:
The Benedictine abbey formerly owned by the Princely House at Leiningen with its noteworthy library and the princely abbey church with its world-famous Stumm organ draw thousands of visitors each year. In 1782, after eight years of work by organ-building brothers Johann Philipp Stumm (1705–1776) and Johann Heinrich Stumm (1715–1788), the organ was ready. In their work at Amorbach, the greatest and most important in the then already highly esteemed Stumm organ-building dynasty’s 200 years of plying this trade, this style and Klangideal (“sound-ideal”), a synthesis of Southern German and French organ building, could be thoroughly realized. The imposing work’s original sound-producing hardware went unchanged over more than two centuries. In the dying years of the 19th century and on into the early 20th, a number of further organ stops were added according to the preferences of the time.
Behind the organ’s impressive 16-field façade with its 124 sounding and up to seven-metre-tall organ pipes are found several ranks of pipes in their original configuration and piping on the slider chest, reconstructed in 1982. All 14 pedal ranks are freestanding behind it. Furthermore, also standing there, in three levels, is the swell box, added in 1982, along with its attendant works. It contains an assembly of ranks added after 1868, with one dedicated to the sound of French Romantic organ music. With its 5,116 pipes and 30 percussion devices shared across 66 stops, and played from four manuals and one pedalboard, the organ has an inexhaustible wealth of sound. Not only the soloistic qualities of each register but also the outstanding acoustics in the former abbey church make a performance on this organ an experience. Thus, the Amorbach Stumm organ is of world importance.
Unique, at least in Europe, is the Sammlung Berger mit Teekannenmuseum (“Berger Collection with teapot museum”). Besides impressive exhibits of modern art by Arman, Michael Buthe, Chagall, Christo, Keith Haring, Otto Reichart, Rebecca Horn, Yves Klein, Roy Lichtenstein, Nam June Paik, Niki de Saint-Phalle, H. A. Schult, Daniel Spoerri, Ben Vautier, Dick Higgins and others, the museum also show Europe’s biggest teapot collection with 2,467 representative teapots from throughout the world and roughly 500 miniature teapots.
The tithe barn in Amorbach, built in 1488, has for five hundred years had a central importance to the town. Originally built to store tithes in the form of produce for the Electors of Kurfürsten, it was – after extensive remodelling in the 1960s – run as a cinema.
The Kulturkreis Zehntscheuer Amorbach e.V. (“Amorbach Tithe Barn Cultural Circle”), which outfitted the building in 1991 as a cabaret theatre, has taken upon itself, besides the programmes offered in this establishment, to maintain and renovate the building, which stands in the historical town centre. The preliminary high point of this process came when this club bought the tithe barn in 2001.
Over the past few years, bit by bit, the toilet facilities have been modernized and expanded, the slanted floor from the barn’s time as a cinema has been evened and the whole inside and outside plastering together with the paint has been renovated or renewed. Rounding out the whole are a sound and light facility and a kitchen that met with requirements. For the façade, traditional colours and techniques were used under professional guidance. Since the new furnishings were introduced, the interior has distinguished itself with its comfortable atmosphere and special flair. Two thousand five hundred hours of volunteer work and well over €120,000 were needed to achieve all this. Funding for this effort came from – among other things – donation drives, benefit concerts and the club’s financial reserves. The work is not yet fully done; there is still much to do.
Today Amorbach woos recreation-seeking tourists with its state recognition as an open-air resort (Luftkurort) and its many Baroque buildings. Even Theodor W. Adorno, who regularly frequented Amorbach, adds to the level of awareness about the town. After his death, one of the hotels in town created an Adornozimmer (Zimmer means “room” in German)
Amorbach is the family seat of the Princely House at Leiningen. In 1992, the town was awarded the Europa Nostra Medal.
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