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Lettris is a curious tetris-clone game where all the bricks have the same square shape but different content. Each square carries a letter. To make squares disappear and save space for other squares you have to assemble English words (left, right, up, down) from the falling squares.
Boggle gives you 3 minutes to find as many words (3 letters or more) as you can in a grid of 16 letters. You can also try the grid of 16 letters. Letters must be adjacent and longer words score better. See if you can get into the grid Hall of Fame !
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Tips: browse the semantic fields (see From ideas to words) in two languages to learn more.
|Empire of Dreams: The Story of the Star Wars Trilogy|
|Written by||Ed Singer|
|Directed by||Kevin Burns
|Starring||Robert Clotworthy (narrator)|
|Country of origin||United States|
|No. of episodes||1|
Scott B. Morgan
|Running time||150 min|
|Production company(s)||Prometheus Entertainment
in association with Lucasfilm
|Distributor||20th Century Fox Television|
|Original channel||A&E Network (edited)|
|Picture format||Color (1.78:1)|
Empire of Dreams: The Story of the Star Wars Trilogy is a 2004 documentary film directed by Kevin Burns and narrated by Robert Clotworthy. It documents the making of the original Star Wars trilogy: Star Wars (1977), The Empire Strikes Back (1980), and Return of the Jedi (1983).
The two and a half hour long documentary was made for the bonus disc of the DVD boxset of the Star Wars Trilogy, released in September 2004. A shortened version of the documentary premiered on the A&E Network later that fall. The TV version ran at around ninety minutes, cutting out nearly an hour of content.
The documentary is strictly chronological, divided into five parts, from the beginning of George Lucas' career as a filmmaker, to the making of the three original Star Wars films, to the impact Star Wars has made on the world today. It features interviews with George Lucas and major cast and crewmembers. The documentary puts Star Wars into a sociological and political perspective by using interviews with spectators such as Walter Cronkite.
The film was shot in 1.78:1 aspect ratio.