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definitions

forgery (n.)

1.criminal falsification by making or altering an instrument with intent to defraud

2.a copy that is represented as the original

Merriam Webster

ForgeryFor"ger*y (?), n.; pl. Forgeries (#). [Cf. F. forgerie.]
1. The act of forging metal into shape. [Obs.]

Useless the forgery
Of brazen shield and spear.
Milton.

2. The act of forging, fabricating, or producing falsely; esp., the crime of fraudulently making or altering a writing or signature purporting to be made by another; the false making or material alteration of or addition to a written instrument for the purpose of deceit and fraud; as, the forgery of a bond. Bouvier.

3. That which is forged, fabricated, falsely devised, or counterfeited.

These are the forgeries of jealously. Shak.

The writings going under the name of Aristobulus were a forgery of the second century. Waterland.

Syn. -- Counterfeit; Forgery. Counterfeit is chiefly used of imitations of coin, or of paper money, or of securities depending upon pictorial devices and engraved designs for identity or assurance of genuineness. Forgery is more properly applied to making a false imitation of an instrument depending on signatures to show genuineness and validity. Abbott.

synonyms

see also

forgery (n.)

counterfeit, falsify, forge

phrases

analogical dictionary




forgery (n.)


Wikipedia

Wikipedia

Forgery

                   

Forgery is the process of making, adapting, or imitating objects, statistics, or documents with the intent to deceive. Copies, studio replicas, and reproductions are not considered forgeries, though they may later become forgeries through knowing and willful misrepresentations. Forging money or currency is more often called counterfeiting. But consumer goods may also be counterfeits if they are not manufactured or produced by the designated manufacture or producer given on the label or flagged by the trademark symbol. When the object forged is a record or document it is often called a false document.

This usage of "forgery" does not derive from metalwork done at a forge, but it has a parallel history. A sense of "to counterfeit" is already in the Anglo-French verb forger, meaning "falsify."

A forgery is essentially concerned with a produced or altered object. Where the prime concern of a forgery is less focused on the object itself – what it is worth or what it "proves" – than on a tacit statement of criticism that is revealed by the reactions the object provokes in others, then the larger process is a hoax. In a hoax, a rumor or a genuine object planted in a concocted situation, may substitute for a forged physical object.

The similar crime of fraud is the crime of deceiving another, including through the use of objects obtained through forgery. Forgery is one of the techniques of fraud, including identity theft. Forgery is one of the threats addressed by security engineering.

In the 16th century imitators of Albrecht Dürer's style of printmaking improved the market for their own prints by signing them "AD", making them forgeries. In the 20th century the art market made forgeries highly profitable. There are widespread forgeries of especially valued artists, such as drawings originally by Pablo Picasso, Paul Klee, and Henri Matisse.

A special case of double forgery is the forging of Vermeer's paintings by Han van Meegeren, and in its turn the forging of Van Meegeren's work by his son Jacques van Meegeren.

Contents

  England and Wales

See English criminal law#Forgery, personation and cheating

  Documentary art

Before the invention of photography, people commonly hired painters and engravers to "re-create" an event or a scene. Artists had to imagine what to illustrate based on the information available to them about the subject. Some artists added elements to make the scene more exotic, while others removed elements out of modesty. In the 18th century, for example, Europeans were curious about what North America looked like and were ready to pay to see illustrations depicting this faraway place. Some of these artists produced prints depicting North America, despite many having never left Europe.

  In popular culture

  • The 1839 novel by Honoré de Balzac, Pierre Grassou, concerns an artist who lives off forgeries.
  • The Orson Welles documentary F for Fake concerns both art and literary forgery. For the movie Welles intercut footage of Elmyr de Hory, an art forger, and Clifford Irving, who wrote an "authorized" autobiography of Howard Hughes that had been revealed to be a hoax. While forgery is the ostensible subject of the film, it also concerns art, film making, storytelling and the creative process.
  • The 1966 heist comedy film How to Steal a Million centers around Nicole Bonnet (Audrey Hepburn) attempting to steal a fake Cellini made by her grandfather.
  • The 1972 novel by Irving Wallace, The Word concerns archaeological forgery, the finding and translation of a supposed lost gospel by James the Just, close relative of Jesus Christ, as part of a large project to be published as a new Bible that would inspire a Christian revival, but which is possibly a forged document.
  • In the 2002 film Catch Me If You Can, directed by Steven Spielberg, based on the real story of Frank Abagnale, a con man who stole over $2.5 million through forgery, imposture and other frauds, which are dramatized in the film. His career in crime lasted six years from 1963 to 1969.
  • In the Graphic Art Novel The Last Coiner, authored by Peter M. Kershaw in prelude to The Yorkshire Coiners film aka The Last Coiner, and the interactive game Coins and Nooses, were produced with their basis taken from the exploits of the prolific maestros of 18th Century milling, the Cragg Vale Coiners who smelted King George III's currency which ultimately lead to the Monarch ordering their execution by hanging at Tyburn.

  Topics in forgery

  See also

  References

Sources

  External links


   
               

 

All translations of Forgeries


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