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definition - Good_Night,_and_Good_Luck.

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Good Night, and Good Luck

                   
Good Night, and Good Luck.

Theatrical release poster
Directed by George Clooney
Produced by Grant Heslov
Written by
Starring
Cinematography Robert Elswit
Editing by Stephen Mirrione
Studio
Distributed by Warner Independent Pictures
Release date(s)
  • September 1, 2005 (2005-09-01) (VIFF)
  • October 7, 2005 (2005-10-07) (United States)
Running time 93 minutes
Country United States
Language English
Budget $7.5 million
Box office $54,641,191

Good Night, and Good Luck. is a 2005 American drama film directed by George Clooney. The film was written by Clooney and Grant Heslov and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations.

The movie, although released in black and white, was filmed on color film stock but on a grayscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent against the government. The movie takes its title (which ends with a period or full stop) from the line with which Murrow routinely signed off his broadcasts.

The film was nominated for six Academy Awards, including Best Actor for David Strathairn, Best Director for Clooney and Best Picture.

Contents

  Plot

Good Night, and Good Luck. is set in 1953, during the early days of television broadcast journalism. Edward R. Murrow (David Strathairn) and his dedicated staff—headed by his co-producer Fred Friendly (George Clooney) and reporter Joseph Wershba (Robert Downey, Jr.) in the CBS newsroom—defy corporate and sponsorship pressures, and discredit the tactics used by Joseph McCarthy during his crusade to root out Communist elements within the government.

Murrow first defends Milo Radulovich, who is facing separation from the U.S. Air Force because of his sister's political leanings and because his father is subscribed to a Serbian newspaper. Murrow makes a show on McCarthy attacking him. A very public feud develops when McCarthy responds by accusing Murrow of being a communist. Murrow is accused of having been a member of the leftist union Industrial Workers of the World, which Murrow claimed was false.

In this climate of fear and reprisal, the CBS crew carries on and their tenacity ultimately strikes a historic blow against McCarthy. Historical footage also shows the questioning of Annie Lee Moss, a Pentagon communication worker accused of being a communist based on her name appearing on a list seen by an FBI infiltrator of the American Communist Party. The film's subplots feature Joseph and Shirley Wershba, recently married staffers, having to hide their marriage to save their jobs at CBS as well as the suicide of Don Hollenbeck (Ray Wise) who had been accused in print of being a Communist.

The film is framed by performance of the speech given by Murrow to the Radio and Television News Directors Association in 1958, in which Murrow harshly admonishes his audience not to squander the potential of television to inform and educate the public.[1]

  Cast

  Production

In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate."[2] Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, Salt Lake City, Utah and Buffalo, New York. The elder Clooney also ran for congress in 2004.

George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck., which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney couldn't pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film.[3] Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. The film ultimately grossed more than $54m worldwide.[4]

The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location.

Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film.[5] A young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.

  Music

A small jazz combo starring jazz singer Dianne Reeves was hired to record the soundtrack to the movie. This combo (Peter Martin, Christoph Luty, Jeff Hamilton and Matt Catingub) was featured in the movie in several scenes; for example, in one scene the newsmen pass a studio where she is recording with the rest of the band. The CD is Dianne Reeves's second featuring jazz standards, and it won the Grammy Award in 2005 for best jazz vocal performance.

  Reception

The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 94% positive review rating. The movie received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn).

Libertarian Jack Shafer, a columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow.[6] Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless."[7]

One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.[8]

  Awards and nominations

The American Film Institute named Good Night, and Good Luck as one of the Top Ten Movies of 2005. Other nominations and awards include:

2006 Academy Awards

  See also

  References

  1. ^ Edward R. Murrow Speech, 1958 (excerpts), Radio Television Digital News Association RTNDA.org
  2. ^ Brooks, Brian. indieWIRE, "Clooney Speaks Out About Journalism and Filmmaking As NYFF Opens." Retrieved: April 24, 2007.
  3. ^ Friedman, Roger. Fox News.com, "Clooney Bets House on New Film," September 27, 2005. Retrieved: December 30, 2007.
  4. ^ Boxofficemojo.com
  5. ^ Brooks, Brian. indieWIRE, ibid.
  6. ^ Shafer, Jack. Slate.com., "Edward R. Movie—Good Night, and Good Luck and bad history." Retrieved: March 1, 2006.
  7. ^ Ebert, Roger. Chicago Sun-Times, film review, "Good Night, and Good Luck." Chicago Sun-Times. Retrieved: April 23, 2007.
  8. ^ "When television took a stand", Telegraph, October 5, 2005

  External links

   
               

 

All translations of Good_Night,_and_Good_Luck.


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