» 
Arabic Bulgarian Chinese Croatian Czech Danish Dutch English Estonian Finnish French German Greek Hebrew Hindi Hungarian Icelandic Indonesian Italian Japanese Korean Latvian Lithuanian Malagasy Norwegian Persian Polish Portuguese Romanian Russian Serbian Slovak Slovenian Spanish Swedish Thai Turkish Vietnamese
Arabic Bulgarian Chinese Croatian Czech Danish Dutch English Estonian Finnish French German Greek Hebrew Hindi Hungarian Icelandic Indonesian Italian Japanese Korean Latvian Lithuanian Malagasy Norwegian Persian Polish Portuguese Romanian Russian Serbian Slovak Slovenian Spanish Swedish Thai Turkish Vietnamese

definition - Maya_(illusion)

definition of Wikipedia

   Advertizing ▼

Wikipedia

Maya (illusion)

                   

Maya or Māyā (Sanskrit माया māyāa[›]), in Indian religions, has multiple meanings, usually quoted as "illusion", centered on the fact that we do not experience the environment itself but rather a projection of it, created by us. Māyā is the principal deity that manifests, perpetuates and governs the illusion and dream of duality in the phenomenal Universe. For some mystics, this manifestation is real.[1] Each person, each physical object, from the perspective of eternity, is like a brief, disturbed drop of water from an unbounded ocean. The goal of enlightenment is to understand this—more precisely, to experience this: to see intuitively that the distinction between the self and the Universe is a false dichotomy. The distinction between consciousness and physical matter, between mind and body (refer bodymind), is the result of an unenlightened perspective.

Contents

  Hinduism

An article related to
Hinduism

HinduismOm.svg

HinduHistory

Portal:HinduismHinduSwastika.svg

Hinduism Portal
Hindu Mythology Portal

The word origin of māyā is derived from the Sanskrit roots ma ("not") and ya, generally translated as an indicative article meaning "that".[citation needed] The mystic teachings in Vedanta are centered on a fundamental truth of the universe that cannot be reduced to a concept or word for the ordinary mind to manipulate due to the impossibility to create a complete, perfect and accurate semantic web. Rather, the human experience and mind are themselves a tiny fragment of this truth. In this tradition, no mind-object can be identified as absolute truth, such that one may say, "That's it." So, to keep the mind from attaching to incomplete fragments of reality, a speaker could use this term to indicate that truth is "Not that."

In Hinduism, māyā is to be seen through, like an epiphany, in order to achieve moksha (liberation of the soul from the cycle of samsara). Ahamkāra (ego-consciousness) and karma are seen as part of the binding forces of māyā. Māyā may be understood as the phenomenal Universe of perceived duality, a lesser reality-lens superimposed on the unity of Brahman. It is said to be created by the divine by the application of the Lilā (creative energy/material cycle, manifested as a veil—the basis of dualism). The sanskaras of perceived duality perpetuate samsara.[citation needed]

  Advaita Vedanta

In Advaita Vedanta philosophy, māyā is the limited, purely physical and mental reality in which our everyday consciousness has become entangled. Māyā is held to be an illusion, a veiling of the true, unitary Self—the Cosmic Spirit also known as Brahman. The concept of māyā was introduced by the ninth-century Hindu philosopher Adi Shankara.[2] He refuses, however, to explain the relationship between Brahman and māyā.[3]

Many philosophies and religions seek to "pierce the veil" of māyā in order to glimpse the transcendent truth from which the illusion of a physical reality springs, drawing from the idea that first came to life in the Hindu stream of Vedanta.

Māyā is a fact in that it is the appearance of phenomena. Since Brahman is the only truth, māyā is true but not the truth, the difference being that the truth is the truth forever while what is true is only true for now. Since māyā causes the material world to be seen, it is true in itself but is "untrue" in comparison to the Brahman. On the other hand, māyā is not false. It is true in itself but untrue in comparison with the absolute truth. In this sense, reality includes māyā and the Brahman. The goal of spiritual enlightenment ought to be to see Brahman and māyā and distinguish between them. Hence, māyā is described as indescribable. Māyā has two principal functions: one is to veil Brahman and obscure and conceal it from our consciousness; the other is to present and promulgate the material world and the veil of duality instead of Brahman. The veil of māyā may be pierced, and, with diligence and grace, may be permanently rent. Consider an illusion of a rope being mistaken for a snake in the darkness. Just as this illusion gets destroyed when true knowledge of the rope is perceived, similarly, māyā gets destroyed for a person when they perceive Brahman with transcendental knowledge. A metaphor is also given—when the reflection of Brahman falls on māyā, Brahman appears as God (the Supreme Lord). Pragmatically, where the duality of the world is regarded as true, māyā becomes the divine magical power of the Supreme Lord. māyā is the veritable fabric of duality, and she performs this role at the behest of the Supreme Lord. God is not bound by māyā, just as magicians do not believe the illusions of their own magic.

The following passage is by Sri Shankaracharya:

  1. The Supreme Self (or Ultimate Reality) who is Pure Consciousness perceived Himself by Selfhood (i.e. Existence with "I"-Consciousness). He became endowed with the name "I". From that arose the basis of difference.
  2. He exists verily in two parts, on account of which, the two could become husband and wife. Therefore, this space is ever filled up completely by the woman (or the feminine principle) surely.
  3. And He, this Supreme Self thought (or reflected). Thence, human beings were born. Thus say the (scriptures) through the statement of sage Yajnavalkya to his wife.
  4. From the experience of bliss for a long time, there arose in the Supreme Self a certain state like deep sleep. From that (state) māyā (or the illusive power of the Supreme Self) was born just as a dream arises in sleep.
  5. This māyā is without the characteristics of (or different from) Reality or unreality, without beginning and dependent on the Reality that is the Supreme Self. She, who is of the form of the Three Guna (qualities or energies of Nature) brings forth the Universe with movable and immovable (objects).
  6. As for māyā, it is invisible (or not experienced by the senses). How can it produce a thing that is visible (or experienced by the senses)? How is a visible piece of cloth produced here by threads of invisible nature?
  7. Though the emission of ejaculate onto sleeping garments or bedclothes is yielded by the natural experience of copulation in a wet dream, the stain of the garment is perceived as real upon waking whilst the copulation and lovemaking was not true or real. Both sexual partners in the dream are unreal as they are but dream bodies, and the sexual union and conjugation was illusory, but the emission of the generative fluid was real. This is a metaphor for the resolution of duality into lucid unity.
  8. Thus māyā is invisible (or beyond sense-perception). (But) this universe which is its effect, is visible (or perceived by the senses). This would be māyā which, on its part, becomes the producer of joy by its own destruction.
  9. Like night (or darkness) māyā is extremely insurmountable (or extremely difficult to be understood). Its nature is not perceived here. Even as it is being observed carefully (or being investigated) by sages, it vanishes like lightning.
  10. māyā (the illusive power) is what is obtained in Brahman (or the Ultimate Reality). Avidya (or nescience or spiritual ignorance) is said to be dependent on Jiva (the individual soul or individualised consciousness). Mind is the knot which joins consciousness and matter.
  11. Space enclosed by a pot, or a jar or a hut or a wall has their several appellations (e.g., pot space, jar space etc.). Like that, Consciousness (or the Self) covered here by Avidya (or nescience) is spoken of as jiva (the individual soul).
  12. Objection: How indeed could ignorance become a covering (or an obscure factor) for Brahman (or the Supreme Spirit) who is Pure Consciousness, as if the darkness arising from the night (could become a concealing factor) for the sun which is self-luminous?
  13. As the sun is hidden by clouds produced by the solar rays but surely, the character of the day is not hidden by those modified dense collection of clouds, so the Self, though pure, (or undefiled) is veiled for a long time by ignorance. But its power of Consciousness in living beings, which is established in this world, is not veiled.

  Bhagavad Gita verses

Spoken by Krishna to Arjuna on the battlefield of Kurukshetra Bhagavad Gita, Ch. 14, Verse 3:

My womb is the great Nature (Prakriti or māyā). In that I place the germ (embryo of life). Thence is the birth of all beings.

Bhagavad Gita, Ch. 14, Verse 4:

Whatever forms are born, O Arjuna, in any womb whatsoever, the great Brahma (Nature) is their womb and I am the seed-giving father.

Explanation: Prakriti (Nature), made up of the three qualities (Sattwa, Rajas and Tamas), is the material cause of all beings.

In the great Prakriti, I place the seed for the birth of Brahma (the creator, also known as Hiranyagarbha, or Ishwar, or the conditioned Brahman), and the seed gives birth to all beings. The birth of Brahma (the creator) gives rise to the birth of beings.

The primordial Nature (prakriti) gives birth to Brahma, who creates all beings.

(I am the father; the primordial Nature is the mother).

Bhagavad Gita, Ch. 13, Verse 26:

Wherever a being is born, whether unmoving or moving, know thou Arjuna, that it is from the union between the field and the knower of the field.

(Purusha is the knower of the field; Prakriti is the field; Shiva is another name for the knower of the field and Shakti is the field; Spirit is another name for the knower of the field and Matter (Prakriti) is the field.)

Bhagavad Gita, Ch. 7, Verse 5:

I am endowed with two Shaktis, namely the superior and the inferior natures; the field and its knower (spirit is the knower of the field; matter is the field) I unite these two.

Bhagavad Gita Ch. 7, Verse 6:

Know these two—my higher and lower natures—as the womb of all beings. Therefore, I am the source and dissolution of the whole universe.

Bhagavad Gita, Ch. 13, Verse 29:

He sees, who sees that all actions are performed by nature alone, and that the Self is action less.

(The Self is the silent witness.)

Bhagavad Gita, Ch. 9, Verse 17:

I am the father of this world, the mother, the dispenser of the fruits of actions and the grandfather; the one thing to be known, the purifier, the sacred monosyllable (AUM), and also the Rig, the Sama and the Yajur Vedas.

Bhagavad Gita, Ch. 18, Verse 61:

Arjuna, God abides in the heart of all creatures, causing them to revolve according to their Karma by His illusive power (Māyā) as though mounted on a machine.

  Hindu narratives

Māyā may also be visualized as a guise or aspect of the Divine Mother (Devi), or Devi Mahamāyā, concept of Hinduism.

In Hinduism, māyā is also seen as a form of Laksmi, a Divine Goddess. Her most famous explication is seen in the Devi Mahatmyam, where she is known as Mahamāyā. Because of its association with the goddess, māyā is now a common girl's name in India and amongst the Indian diaspora around the world.[4]

Essentially, Mahāmāyā (great māyā) both blinds us in delusion (moha) and has the power to free us from it. Māyā, superimposed on Brahman, the one divine ground and essence of monist Hinduism, is envisioned as one with Laxmi, Durgā, etc. A great modern (19th century) Hindu sage who often spoke of māyā as being the same as the Shakti principle of Hinduism was Shri Ramakrishna.

In the Hindu scripture Devi Mahātmyam, Mahāmāyā (Great māyā) is said to cover Vishnu's eyes in Yoganidra (divine sleep) during cycles of existence when all is resolved into one. By exhorting Mahamāyā to release Her illusory hold on Vishnu, Brahma is able to bring Vishnu to aid him in killing two demons, Madhu and Kaitabh, who have manifested from Vishnu's sleeping form. Sri Ramakrishna Paramahamsa often spoke of Mother māyā and combined deep Hindu allegory with the idea that māyā is a lesser reality that must be overcome so that one is able to realize his or her true Self.

Māyā, in Her form as Durga, was called upon when the gods and goddesses were helpless against the attacks of the demon Mahisasura. The combined material energy of all the gods, including Brahma, Vishnu and Shiva, created Her. She is thus said to possess the combined material power of all the gods and goddesses. The gods gave her ornaments, weapons, and her bearer, the lion. She was unassailable. She fought a fierce battle against the demon Mahisasura and his huge army. She defeated the demon's army, killed the demon, and hence restored peace and order to the world. Thus She is, even now, the protector of the Universe, which is lying in her lap.

Devi Mahamāyā is also a Kuldevata of the Gowd Saraswat Brahmins and Daivajnas of the western coast of India.

  Buddhism

  Theravada

In Theravada Buddhism, the current expression of Buddhism most closely associated with early Buddhist practice, māyā is the name of the mother of the Buddha. This name may have some symbolic significance given the place of māyā in Indian thought, but it does not seem to have led this tradition to give to the concept of māyā much of a philosophical role. The Pali language of Theravada speaks of distortions (vipallasa) rather than illusion (māyā).

  Mahayana

Subsequently, in Mahayana Buddhism, illusion seems to play a somewhat larger role. Here, the magician's illusion exemplifies how people misunderstand themselves and their reality, when we could be free from this confusion. Under the influence of ignorance, we believe objects and persons to be independently real, existing apart from causes and conditions. We fail to perceive them as being empty of a real essence, whereas in fact they exist much like māyā, the magical appearance created by the magician. The magician's illusion may exist and function in the world on the basis of some props, gestures, and incantations, yet the show is illusory. The viewers participate in creating the illusion by misperceiving and drawing false conclusions. Conversely, when appearances arise and are seen as illusory, that is considered more accurate.

Altogether, there are "eight examples of illusion (the Tibetan sgyu ma translates māyā and also other Sanskrit words for illusion): magic, a dream, a bubble, a rainbow, lightning, the moon reflected in water, a mirage, and a city of celestial musicians." [5] Understanding that what we experience is less substantial than we believe is intended to serve the purpose of liberation from ignorance, fear, and clinging and the attainment of enlightenment as a Buddha completely dedicated to the welfare of all beings.

Depending on the stage of the practitioner, the magical illusion is experienced differently. In the ordinary state, we get attached to our own mental phenomena, believing they are real, like the audience at a magic show gets attached to the illusion of a beautiful lady. At the next level, called actual relative truth, the beautiful lady appears, but the magician does not get attached. Lastly, at the ultimate level, the Buddha is not affected one way or the other by the illusion. Beyond conceptuality, the Buddha is neither attached nor non-attached.[6] This is the middle way of Buddhism, which explicitly refutes the extremes of both eternalism and nihilism.

Nāgārjuna, of the Mahāyāna Mādhyamika (i.e., "Middle Way") school, discusses nirmita, or illusion closely related to māyā. In this example, the illusion is a self-awareness that is, like the magical illusion, mistaken. For Nagarjuna, the self is not the organizing command center of experience, as we might think. Actually, it is just one element combined with other factors and strung together in a sequence of causally connected moments in time. As such, the self is not substantially real, but neither can it be shown to be unreal. The continuum of moments, which we mistakenly understand to be a solid, unchanging self, still performs actions and undergoes their results. "As a magician creates a magical illusion by the force of magic, and the illusion produces another illusion, in the same way the agent is a magical illusion and the action done is the illusion created by another illusion."[7] What we experience may be an illusion, but we are living inside the illusion and bear the fruits of our actions there. We undergo the experiences of the illusion. What we do affects what we experience, so it matters.[8] In this example, Nagarjuna uses the magician's illusion to show that the self is not as real as it thinks, yet, to the extent it is inside the illusion, real enough to warrant respecting the ways of the world.

For the Mahayana Buddhist, the self is māyā like a magic show and so are objects in the world. Vasubandhu's Trisvabhavanirdesa, a Mahayana Yogacara "Mind Only" text, discusses the example of the magician who makes a piece of wood appear as an elephant.[9] The audience is looking at a piece of wood but, under the spell of magic, perceives an elephant instead. Instead of believing in the reality of the illusory elephant, we are invited to recognize that multiple factors are involved in creating that perception, including our involvement in dualistic subjectivity, causes and conditions, and the ultimate beyond duality. Recognizing how these factors combine to create what we perceive ordinarily, ultimate reality appears. Perceiving that the elephant is illusory is akin to seeing through the magical illusion, which reveals the dharmadhatu, or ground of being.[9]

  Tantra

Buddhist Tantra, a further development of the Mahayana, also makes use of the magician's illusion example in yet another way. In the completion stage of Buddhist Tantra, the practitioner takes on the form of a deity in an illusory body (māyādeha), which is like the magician's illusion. It is made of wind, or prana, and is called illusory because it appears only to other yogis who have also attained the illusory body. The illusory body has the markings and signs of a Buddha. There is an impure and a pure illusory body, depending on the stage of the yogi's practice.[10]

The concept that the world is an illusion is controversial in Buddhism. In the Dzogchen tradition the perceived reality is considered literally unreal. As a prominent contemporary teacher puts it: "In a real sense, all the visions that we see in our lifetime are like a big dream [...]".[11] In this context, the term visions denotes not only visual perceptions, but appearances perceived through all senses, including sounds, smells, tastes and tactile sensations.

Different schools and traditions in Tibetan Buddhism give different explanations of the mechanism producing the illusion usually called "reality".[12]

The real sky is (knowing) that samsara and nirvana are merely an illusory display.[13]

Mipham Rinpoche, Quintessential Instructions of Mind, p. 117

Even the illusory nature of apparent phenomena is itself an illusion. Ultimately, the yogi passes beyond a conception of things either existing or not existing, and beyond a conception of either samsara or nirvana. Only then is the yogi abiding in the ultimate reality.[14]

  Sikhism

Sikh beliefs
  • 1a. Naam Simran
  • 1b. Sewa

In Sikhism, the world is regarded as both transitory and relatively real.[15] God is viewed as the only reality, but within God exist both conscious souls and nonconscious objects; these created objects are also real.[15] Natural phenomena are real but the effects they generate are unreal. māyā is as the events are real yet māyā is not as the effects are unreal. Consider the following examples. In the moonless night, a rope lying on the ground may be mistaken for a snake. We know that the rope alone is real, not the snake. However, the failure to perceive the rope gives rise to the false perception of the snake. Once the darkness is removed, the rope alone remains; the snake disappears.

  • Sakti adher jevarhee bhram chookaa nihchal siv ghari vaasaa.
    In the darkness of māyā, I mistook the rope for the snake, but that is over, and now I dwell in the eternal home of the Lord .
    (sggs 332).
  • Raaj bhuiang prasang jaise hahi ab kashu maram janaaiaa.
    Like the story of the rope mistaken for a snake, the mystery has now been explained to me. Like the many bracelets, which I mistakenly thought were gold; now, I do not say what I said then . (sggs 658).[16]

In some mythologies the symbol of the snake was associated with money, and māyā in modern Punjabi refers to money. However in the Guru Granth Sahib māyā refers to the "grand illusion" of materialism. From this māyā all other evils are born, but by understanding the nature of māyā a person begins to approach spirituality.

  • Janam baritha jāṯ rang mā▫i▫ā kai. ||1|| rahā▫o.
    You are squandering this life uselessly in the love of māyā.
    Sri Guru Granth Sahib M.5 Guru Arjan Dev ANG 12

The teachings of the Sikh Gurus push the idea of sewa (selfless service) and simran (prayer, meditation, or remembering one's true death). The depths of these two concepts and the core of Sikhism comes from sangat (congregation): by joining the congregation of true saints one is saved. By contrast, most people are believed to suffer from the false consciousness of materialism, as described in the following extracts from the Guru Granth Sahib:

  • Mā▫i▫ā mohi visāri▫ā jagaṯ piṯā parṯipāl.
    In attachment to māyā, they have forgotten the Father, the Cherisher of the World.
    Sri Guru Granth Sahib M3 Guru Amar Das ANG 30
  • Ih sarīr mā▫i▫ā kā puṯlā vicẖ ha▫umai ḏustī pā▫ī.
    This body is the puppet of māyā. The evil of egotism is within it.
    Sri Guru Granth Sahib M3 Guru Amar Das
  • Bābā mā▫i▫ā bẖaram bẖulā▫e.
    O Baba, māyā deceives with its illusion.
    Sri Guru Granth Sahib M1 Guru Nanak Dev ANG60
  • "For that which we cannot see, feel, smell, touch, or understand, we do not believe. For this, we are merely fools walking on the grounds of great potential with no comprehension of what is."
    Buddhist monk quotation[17]

  See also

  Notes

^ a: From a Proto-Indo-Iranian *māyā, cognate to Avestan māyā with an approximate meaning of "miraculous force", of uncertain etymology, either from a root may- "exchange", or from a root mā- "measure", among other suggestions; Mayrhofer, EWAia (1986-2001), s.v.[18]

  References

  1. ^ Brodd, Jefferey (2003). World Religions. Winona, MN: Saint Mary's Press. ISBN 978-0-88489-725-5. 
  2. ^ Surendranath Dasgupta, A History of Indian Philosophy. Cambridge University Press Archive, 1955, page 1. "He [Bhaskara] speaks in very strong terms against the commentator [Shankara] who holds the māyā doctrine and is a Buddhist in his views. But, though he was opposed to Shankara, it was only so far as Shankara had introduced the māyā doctrine, and only so far as he thought the world had sprung forth not as a real modification of Brahman, but only through māyā."
  3. ^ Pratima Bowes, "Mysticism in the Upanishads and Shankara's Vedanta" in Karel Werner, ed., The Yogi and the Mystic." Routledge, 1995, page 67.
  4. ^ Most Popular Indian Baby Names in US
  5. ^ Thinley Norbe Rinpoche in The Dzogchen Primer, Marcia Binder Schmidt ed. Shambala, Boston, 2002, pg. 215 ISBN 1-57062-829-7
  6. ^ Thinley Norbe Rinpoche in The Dzogchen Primer, Marcia Binder Schmidt ed. Shambala, Boston, 2002, pg. 217 ISBN 1-57062-829-7
  7. ^ Nagarjuna's Mulamadhyamakakarika Prajna Nama, J.W. DeJong, Christian Lindtner (eds.) quoted in Nagarjuna's Madhyamaka: A Philosophical Introduction, Jan Westerhoff, Oxford University Press, New York, 2009. p. 163 ISBN 978-0-19-537521-3
  8. ^ Nagarjuna's Madhyamaka: A Philosophical Introduction, Jan Westerhoff, Oxford University Press, New York, 2009. p. 164 ISBN 978-0-19-537521-3
  9. ^ a b The Emptiness of Emptiness: An Introduction to Early Indian Madhyamika. C.W. Huntingdon, Jr. with Geshe Namgyal Wangchen, University of Hawaii Press, Honolulu, 1989, ISBN 0-8248-1165-8, p.61-62.
  10. ^ Highest Yoga Tantra: An Introduction to the Esoteric Buddhism of Tibet, Daniel Cozort, Snow Lion Publications, Ithaca, NY 1986, pgs. 94-95. ISBN 0-937938-32-7
  11. ^ Chögyal Namkhai Norbu Dream Yoga And The Practice Of Natural Light Edited and introduced by Michael Katz, Snow Lion Publications, Ithaca, NY, ISBN 1-55939-007-7, pp. 42, 46, 48, 96, 105.
  12. ^ Elías Capriles. [1]: the Doctrine of the Buddha and the Supreme Vehicle of Tibetan Buddhism. Part 1 - Buddhism: a Dzogchen Outlook. Published on the Web.
  13. ^ In: Chögyal Namkhai Norbu Dream Yoga and the Practice of Natural Light. Edited and introduced by Michael Katz, Snow Lion Publications, Ithaca, NY, ISBN 1-55939-007-7, pp. 117.
  14. ^ The Yoga Tradition:Its History, Literature, Philosophy and Practice, Georg Feuerstein, Hohm Press, Prescott, AZ, 1998, pg. 164. ISBN 1-890772-18-6
  15. ^ a b Surinder Singh Kohli, Guru Granth Sahib: An Analytical Study. Singh Brothers, Amritsar, 1992, page 262.
  16. ^ Deceptive māyā
  17. ^ extracts on māyā from Guru Granth Sahib
  18. ^ J. Gonda, Four studies in the language of the Veda, Disputationes Rheno-Traiectinae (1959), pp. 119ff, 139ff., 155ff., 164ff.

  External links

   
               

 

All translations of Maya_(illusion)


sensagent's content

  • definitions
  • synonyms
  • antonyms
  • encyclopedia

Dictionary and translator for handheld

⇨ New : sensagent is now available on your handheld

   Advertising ▼

sensagent's office

Shortkey or widget. Free.

Windows Shortkey: sensagent. Free.

Vista Widget : sensagent. Free.

Webmaster Solution

Alexandria

A windows (pop-into) of information (full-content of Sensagent) triggered by double-clicking any word on your webpage. Give contextual explanation and translation from your sites !

Try here  or   get the code

SensagentBox

With a SensagentBox, visitors to your site can access reliable information on over 5 million pages provided by Sensagent.com. Choose the design that fits your site.

Business solution

Improve your site content

Add new content to your site from Sensagent by XML.

Crawl products or adds

Get XML access to reach the best products.

Index images and define metadata

Get XML access to fix the meaning of your metadata.


Please, email us to describe your idea.

WordGame

The English word games are:
○   Anagrams
○   Wildcard, crossword
○   Lettris
○   Boggle.

Lettris

Lettris is a curious tetris-clone game where all the bricks have the same square shape but different content. Each square carries a letter. To make squares disappear and save space for other squares you have to assemble English words (left, right, up, down) from the falling squares.

boggle

Boggle gives you 3 minutes to find as many words (3 letters or more) as you can in a grid of 16 letters. You can also try the grid of 16 letters. Letters must be adjacent and longer words score better. See if you can get into the grid Hall of Fame !

English dictionary
Main references

Most English definitions are provided by WordNet .
English thesaurus is mainly derived from The Integral Dictionary (TID).
English Encyclopedia is licensed by Wikipedia (GNU).

Copyrights

The wordgames anagrams, crossword, Lettris and Boggle are provided by Memodata.
The web service Alexandria is granted from Memodata for the Ebay search.
The SensagentBox are offered by sensAgent.

Translation

Change the target language to find translations.
Tips: browse the semantic fields (see From ideas to words) in two languages to learn more.

last searches on the dictionary :

5365 online visitors

computed in 0.046s

I would like to report:
section :
a spelling or a grammatical mistake
an offensive content(racist, pornographic, injurious, etc.)
a copyright violation
an error
a missing statement
other
please precise:

Advertize

Partnership

Company informations

My account

login

registration

   Advertising ▼