1.(linguistics)the voice used to indicate that the grammatical subject of the verb is the recipient (not the source) of the action denoted by the verb"`The ball was thrown by the boy' uses the passive voice" "`The ball was thrown' is an abbreviated passive"
definition of Wikipedia
qualificatif de type de verbe (fr)[DomaineDescription]
passive, passive voice[Dérivé]
passive voice (n.) [linguistics]
Passive voice is a grammatical voice common in many of the world's languages. Passive is used in a clause whose subject expresses the theme or patient of the main verb. That is, the subject undergoes an action or has its state changed. A sentence whose theme is marked as grammatical subject is called a passive sentence. In contrast, a sentence in which the subject has the agent role is called an active sentence, and its verb is expressed in active voice. Many languages have both an active and a passive voice; this allows for greater flexibility in sentence construction, as either the semantic agent or patient may take the syntactic role of subject.
The use of passive voice allows speakers to organize stretches of discourse by placing figures other than the agent in subject position. This may be used to foreground the patient, recipient, or other thematic role. Passive voice may also be useful when the semantic patient is the topic of on-going discussion. The passive voice may also be used to avoid specifying the agent of an action.
Different languages use various grammatical forms to indicate passive voice.
Many languages use impersonal verbs to achieve the same object.
English, like some other languages, uses a periphrastic passive. Rather than conjugating directly for voice, English uses the past participle form of the verb plus an auxiliary verb, either be or get, to indicate passive voice.
The active voice is the dominant voice in English at large. Many commentators, notably George Orwell in his essay "Politics and the English Language" and Strunk & White in The Elements of Style, have urged minimizing use of the passive voice. However, the passive voice has important uses. Jan Freeman of The Boston Globe states "[a]ll good writers use the passive voice" – including Orwell and Strunk & White themselves, in the sections of their essays criticizing the passive voice. There is general agreement that the passive voice is useful for emphasis, or when the receiver of the action is more important than the actor.
Some languages, including several Southeast Asian languages, use a form of passive voice to indicate that an action or event was unpleasant or undesirable. This so-called adversative passive works like the ordinary passive voice in terms of syntactic structure—that is, a theme or instrument acts as subject. In addition, the construction indicates adversative affect, suggesting that someone was negatively affected.
The Japanese adversative passive (also called indirect passive) indicates adversative affect.
The indirect or adversative passive has the same form as the direct passive in Japanese. Unlike the direct passive, the indirect passive may be used with intransitive verbs.
||This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2012)|
|This section's factual accuracy is disputed. Please help to ensure that disputed facts are reliably sourced. See the relevant discussion on the talk page.|
Some languages draw a distinction between static (or stative) passive voice, and dynamic (or eventive) passive voice. Examples include English, German, Swedish, and Italian. "Static" means that an action was done to the subject at a certain point in time resulting in a state in the time focussed upon, whereas "dynamic" means that an action takes place.
Static passive auxiliary verb: sein ("sein-Passiv, Zustandspassiv")
Dynamic passive auxiliary verb: werden ("werden-Passiv")
A number of verbs such as bedecken "cover", erfüllen "fill", trennen "separate", when used as stative verbs, only form static passives:
Static passive auxiliary verb: be (the "be-passive")
Dynamic passive auxiliary verb: get (the "get-passive")
Note that for some speakers of English this is not accepted and is considered colloquial or sub-standard.
The grass is cut (static)
The grass gets cut (dynamic)
Static passive auxiliary verb: vara (är, var, varit)
Dynamic passive auxiliary verb: bli (blir, blev, blivit) Dynamic passive in Swedish is also frequently expressed with the s-ending.
The vara passive is often synonymous with, and sometimes preferable to, simply using the corresponding adjective:
The bli passive is often synonymous with, and sometimes preferable to, the s-passive:
Italian uses two verbs (essere and venire) to translate the static and the dynamic passive:
Dynamic passive auxiliary verb: essere and venire (to be and to come)
Static passive auxiliary verb: essere (to be)
In Venetian (Vèneto) the difference between dynamic (true) passive and stative (adjectival) passive is more clear cut, using èser (to be) only for the static passives and vegner (to become, to come) only for the dynamic passive:
Static forms represents much more a property or general condition, whereas the dynamic form is a real passive action entailing "by someone":
Dictionary and translator for handheld
New : sensagent is now available on your handheld
A windows (pop-into) of information (full-content of Sensagent) triggered by double-clicking any word on your webpage. Give contextual explanation and translation from your sites !
With a SensagentBox, visitors to your site can access reliable information on over 5 million pages provided by Sensagent.com. Choose the design that fits your site.
Improve your site content
Add new content to your site from Sensagent by XML.
Crawl products or adds
Get XML access to reach the best products.
Index images and define metadata
Get XML access to fix the meaning of your metadata.
Please, email us to describe your idea.
Lettris is a curious tetris-clone game where all the bricks have the same square shape but different content. Each square carries a letter. To make squares disappear and save space for other squares you have to assemble English words (left, right, up, down) from the falling squares.
Boggle gives you 3 minutes to find as many words (3 letters or more) as you can in a grid of 16 letters. You can also try the grid of 16 letters. Letters must be adjacent and longer words score better. See if you can get into the grid Hall of Fame !
Change the target language to find translations.
Tips: browse the semantic fields (see From ideas to words) in two languages to learn more.