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Lettris
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This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2008) |
| Pier Angeli | |
|---|---|
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| Born | Anna Maria Pierangeli 19 June 1932 Cagliari, Sardinia, Italy |
| Died | 10 September 1971 (aged 39) Beverly Hills, California, U.S. |
| Occupation | Actress |
| Years active | 1950–1971 |
| Spouse |
Vic Damone (m. 1954–1958) 1 child |
Pier Angeli (19 June 1932 – 10 September 1971)[1] was an Italian-born television and film actress. Her American cinematographic debut was in the starring role of the 1951 film Teresa, for which she won a Golden Globe Award. Twenty years later, she had been chosen to play a part in The Godfather, but died before filming began.
She had romantic relationships with actors Kirk Douglas and James Dean before going on to marry Vic Damone.
Contents |
Born Anna Maria Pierangeli in Cagliari, Sardinia, Italy.[1] Her twin sister is the actress Marisa Pavan. Angeli made her film debut with Vittorio de Sica in Domani è troppo tardi (1950), after being spotted by director Léonide Moguy and Vittorio de Sica.[1] She was discovered by Hollywood, and MGM launched her in her first American film, Teresa (1951). Directed by Fred Zinnemann, this film also saw the joint debuts of Rod Steiger and John Ericson. Reviews for her performance in the film compared her to Greta Garbo, and she won the Golden Globe Award for New Star Of The Year – Actress. Under contract with MGM throughout the 1950s, she appeared in a series of films, including The Light Touch with Stewart Granger. Plans for a film of Romeo and Juliet with her and Marlon Brando fell through when a British-Italian production was announced.
Her next few films were respectable but unexciting: The Story of Three Loves (1953) with Kirk Douglas; Sombrero, in which she replaced an indisposed Ava Gardner; and Flame and the Flesh (1954), in which she lost her man to Lana Turner. After discovering Leslie Caron, another continental ingénue, MGM lent Angeli out to other studios. She went to Warner Bros. for The Silver Chalice, which marked the debut of Paul Newman, and she made Mam'zelle Nitouche with the French comic actor Fernandel. For Paramount, she should have had the role of Anna Magnani's daughter in The Rose Tattoo, but because motherhood interfered, the role went to her twin sister, Marisa Pavan, who was nominated for an Academy Award for Best Supporting Actress for the role. Angeli was lent out again, to Columbia, for Port Afrique (1956). She returned to MGM for Somebody Up There Likes Me as Paul Newman's long-suffering wife (James Dean had originally been expected to play the starring role, which went to Newman after Dean's death). She then appeared in The Vintage (1957) with Mel Ferrer and John Kerr, and finished her contract in Merry Andrew, starring Danny Kaye.
During the 1960s and until 1970, Angeli returned to live and work in Britain and Europe. Few of her films during that period were notable, despite a strong performance opposite Richard Attenborough in The Angry Silence (1960). She was reunited with Stewart Granger for Sodom and Gomorrah (1963), in which she played Lot's wife. She had a brief role in the war epic Battle of the Bulge (1965). 1968 found Angeli in Israel, top billed in Every Bastard a King, about events during that nation's recent war, but steady work was eluding her. It seemed as if her acting career might revive when she was picked to play a role in The Godfather, but she died soon before filming.
According to Kirk Douglas' autobiography, he and Angeli were engaged in the 1950s after meeting on the set of the 1953 film The Story of Three Loves.[2] For a short time, Angeli also had a romantic relationship with James Dean; however, under pressure from her domineering mother, she broke off the relationship and went on to marry singer and actor Vic Damone (1954–1958).[3] Her marriage to Damone ended in divorce, followed by highly publicized court battles for the custody of their one son, Perry Farinola. Her second marriage was to Italian composer Armando Trovaioli (1962–1969), with whom she had another son (Andrew).
At the age of 39, despondent and lonely, Angeli was found dead in her home at 355 S. McCarty Dr. in West Los Angeles, of an 'accidental' barbiturate overdose.[4][5] She is interred in the Cimetière des Bulvis, in Rueil-Malmaison, Hauts-de-Seine, France.
She was later portrayed by Valentina Cervi in the 2001 TV movie James Dean, which depicted her relationship with Dean.
| Year | Title | Role | Notes |
|---|---|---|---|
| 1950 | Domani è troppo tardi | Mirella | English title: Tomorrow Is Too Late |
| 1951 | Domani è un altro giorno | Luisa | |
| 1951 | Teresa | Teresa Russo | |
| 1952 | The Light Touch | Anna Vasarri | |
| 1952 | The Devil Makes Three | Wilhelmina (Willie) Lehrt | |
| 1952 | The Million Dollar Nickel | Herself | Short subject |
| 1953 | The Story of Three Loves | Nina Burkhardt | Segment: "Equilibrium" |
| 1953 | Sombrero | Eufemia Calderon | |
| 1954 | Mam'zelle Nitouche | Denise de Flavigny/Nitouche | Alternative titles: Oh No, Mam'zelle Santarellina |
| 1954 | Flame and the Flesh | Lisa | |
| 1954 | The Silver Chalice | Deborra | |
| 1956 | Meet Me in Las Vegas | Cameo | Uncredited |
| 1956 | Port Afrique | Ynez | |
| 1956 | Somebody Up There Likes Me | Norma | |
| 1957 | The Vintage | Lucienne | |
| 1958 | Merry Andrew | Selena Gallini | |
| 1959 | SOS Pacific | Teresa | Alternative title: S.O.S. Pacific |
| 1960 | I moschettieri del mare | Consuelo/Gracia | English title: Musketeers of the Sea |
| 1960 | The Angry Silence | Anna Curtis | |
| 1960 | Estoril y sus fiestas | Herself | Short subject |
| 1961 | L'ammutinamento | Polly | English title: White Slave Ship Credited as Anna Maria Pierangeli |
| 1962 | The Last Days of Sodom and Gomorrah | Ildith | Credited as Anna Maria Pierangeli |
| 1964 | Banco à Bangkok pour OSS 117 | Lila | English titles: Panic in Bangkok Shadow of Evil |
| 1965 | Missione mortale Molo 83 | Hélène Blanchard | English title: M.M.M. 83 |
| 1965 | Berlino – Appuntamento per le spie | Paula Krauss | English title: Berlin, Appointment for the Spies |
| 1965 | Battle of the Bulge | Louise | |
| 1966 | Per mille dollari al giorno | Betty Benson | English title: For One Thousand Dollars Per Day Credited as Annamaria Pierangeli |
| 1968 | Rose rosse per il führer | Marie | English title: Red Roses for the Führer Credited as Anna Maria Pierangeli |
| 1968 | Caccia ai violenti | Mrs. Benton | English title: One Step to Hell |
| 1968 | Kol Mamzer Melech | Eileen | English title: Every Bastard a King |
| 1969 | ¡Viva América! | Bambi | Credited as Anna Maria Pierangeli |
| 1969 | Addio, Alexandra | Alexandra | Alternative title: Love Me, Love My Wife Credited as Anna Maria Pierangeli |
| 1970 | Nelle pieghe della carne | Falesse/Ester | English title: In the Folds of the Flesh Credited as Anna Maria Pierangeli |
| 1970 | Quell'amore particolare | Cecilia | Credited as Anna Maria Pierangeli |
| 1971 | Octaman | Susan Lowry |
| Year | Title | Role | Notes |
|---|---|---|---|
| 1958 | Westinghouse Desilu Playhouse | Bernadette Soubirous | 1 episode |
| Year | Award | Category | Title of work | Result |
|---|---|---|---|---|
| 1951 | Italian National Syndicate of Film Journalists | Best Actress (Migliore Attrice) | Domani è troppo tardi | Won |
| 1952 | Golden Globe Award | Most Promising Newcomer – Female | Teresa | Won |
| 1955 | Golden Globe Award | World Film Favorite – Female | Nominated | |
| 1961 | BAFTA Awards | Best Foreign Actress | The Angry Silence | Nominated |