definition of Wikipedia
Stanley Eugene Fish (born April 19, 1938) is an American literary theorist and legal scholar. He was born and raised in Providence, Rhode Island. He is often associated with postmodernism, at times to his irritation, as he describes himself as an anti-foundationalist. He is the Davidson-Kahn Distinguished University Professor of Humanities and a professor of law at Florida International University, in Miami, as well as Dean Emeritus of the College of Liberal Arts and Sciences at the University of Illinois at Chicago, and the author of 12 books. Fish has also taught at the Cardozo School of Law, University of California, Berkeley, Johns Hopkins University, The University of Pennsylvania, Yale Law, Columbia University, The John Marshall Law School, and Duke University.
Fish earned a B.A. from the University of Pennsylvania in 1959, and an M.A. from Yale University in 1960. He completed his Ph.D. in 1962, also at Yale University. He taught English at the University of California at Berkeley and Johns Hopkins University before becoming Arts and Sciences Professor of English and Professor of Law at Duke University from 1986 to 1998. From 1999 to 2004 he was Dean of the College of Liberal Arts and Sciences at the University of Illinois at Chicago, as well as serving as Distinguished Visiting Professor at The John Marshall Law School from 2000 until 2002. He also held joint appointments in the Departments of Political Science and Criminal Justice, and was the chairman of the Religious Studies Committee. During his tenure there, he recruited professors well respected in the academic community and garnered a lot of attention for the College. After resigning as dean in a high-level dispute with the state of Illinois over funding UIC, Fish spent a year teaching in the Department of English. The Institute for the Humanities at UIC named a lecture series in his honor, which is still ongoing. In June 2005, he accepted the position of Davidson-Kahn Distinguished University Professor of Humanities and Law at Florida International University, teaching in the FIU College of Law. In November 2010 he joined the Board of Visitors of Ralston College, a start-up institution in Savannah, Georgia. He has also been a Fellow of the American Academy of Arts and Science since 1985 .
Fish started his career as a medievalist. His first book, published by Yale University Press in 1965, was on the late-medieval/early-Renaissance poet John Skelton. Fish reveals in his partly biographical essay, "Milton, Thou Shouldst be Living at this Hour" (published in There's No Such Thing as Free Speech . . . And It's a Good Thing, Too), that he came to Milton by accident. In 1963 — the same year that Fish started as an assistant professor at the University of California, Berkeley — the resident Miltonist, Constantinos A. Patrides, received a grant. The chair of the department asked Fish to teach the Milton course, notwithstanding the fact that the young professor "had never — either as an undergraduate or in graduate school — taken a Milton course" (269). The eventual result of that course was Surprised by Sin: The Reader in Paradise Lost (1967; rpt. 1997). Fish's 2001 book, How Milton Works, reflects five decades' worth of his scholarship on Milton.
||This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2008)|
As a prominent and respected literary theorist, Fish is best known for his analysis of interpretive communities — an offshoot of reader-response criticism. Fish's work in this field examines how the interpretation of a text is dependent upon each reader's own subjective experience in one or more communities, each of which is defined as a 'community' by a distinct epistemology. For Fish, a large part of what renders a reader’s subjective experience valuable — that is, why it may be considered “constrained” as opposed to an uncontrolled and idiosyncratic assertion of the self — comes from a concept native to the field of linguistics called linguistic competence. In Fish’s source the term is explained as “the idea that it is possible to characterize a linguistic system that every speaker shares.” In the context of literary criticism, Fish uses this concept to argue that a reader’s approach to a text is not completely subjective, and that an internalized understanding of language shared by the native speakers of that given language makes possible the creation of normative boundaries for one’s experience with language.
In addition to his work in literary criticism, Fish has also written extensively on the politics of the university, having taken positions supporting campus speech codes and criticizing political statements by universities or faculty bodies on matters outside their professional areas of expertise.
Fish argued in January 2008 on his New York Times-syndicated blog that the humanities are of no instrumental value, but have only intrinsic worth. Fish explains, "To the question 'of what use are the humanities?', the only honest answer is none whatsoever. And it is an answer that brings honor to its subject. Justification, after all, confers value on an activity from a perspective outside its performance. An activity that cannot be justified is an activity that refuses to regard itself as instrumental to some larger good. The humanities are their own good. There is nothing more to say, and anything that is said diminishes the object of its supposed praise."
Fish has lectured across the country at many universities and colleges including Florida Atlantic University, Brown University, the University of Pennsylvania, Harvard University, University of Toronto, Columbia University, the University of Vermont, the University of Georgia, the University of Louisville, the University of Kentucky, Bates College,the University of Central Florida, the University of West Florida, and the Benjamin N. Cardozo School of Law.
As chair of the Duke English department from 1986 to 1992, Fish attracted attention and controversy. Fish, according to Lingua Franca, used "shameless—and in academe unheard-of—entrepreneurial gusto" to take "a respectable but staid Southern English department and transform it into the professional powerhouse of the day," in part through the payment of lavish salaries. His time at Duke saw comparatively quite light undergraduate and graduate coursework requirements, matched by heavy graduate teaching requirements. This permitted professors to reduce their own teaching. In April 1992, near the end of Fish's time as department chair, an external review committee considered evidence that the English curriculum had become "a hodgepodge of uncoordinated offerings," lacking in "broad foundational courses" or faculty planning. The department's dissipating prominence in the 1990s was featured on the front page of the New York Times.
Within the first years following Fish's departure as chair, many of his most prominent hires left, including Eve Kosofsky Sedgwick (citing anti-intellectualism and homophobia), Michael Moon, and Jonathan Goldberg. By 1999, Fish's wife, Americanist Jane Tompkins, had "practically quit teaching" at Duke and "worked as a cook at a local health food restaurant."
Writing in Slate Magazine, Judith Shulevitz reported that not only does Fish openly proclaim himself "unprincipled" but also rejects wholesale the concepts of "fairness, impartiality, reasonableness." To Fish, "ideas have no consequences." For taking this stance, Shulevitz characterizes Fish as "not the unprincipled relativist he's accused of being. He's something worse. He's a fatalist."
|“||Because his general understanding of human nature and of the human condition is false, Fish fails in the specific task of a university scholar, which requires that learning be placed in the service of truth. And this, finally, is the critical issue in the contemporary university of which Stanley Fish is a typical representative: sophistry renders truth itself equivocal and deprives scholarly learning of its reason for being. . . . His brash disdain of principle and his embrace of sophistry reveal the hollowness hidden at the heart of the current academic enterprise.||”|
Terry Eagleton, a prominent British Marxist, excoriates Fish's "discreditable epistemology" as "sinister." According to Eagleton, "Like almost all diatribes against universalism, Fish's critique of universalism has its own rigid universals: the priority at all times and places of sectoral interests, the permanence of conflict, the a priori status of belief systems, the rhetorical character of truth, the fact that all apparent openness is secretly closure, and the like." Hence, it is inherently self-defeating. Of Fish's attempt to co-opt the critiques leveled against him, Eagleton responds, "The felicitous upshot is that nobody can ever criticise Fish, since if their criticisms are intelligible to him, they belong to his cultural game and are thus not really criticisms at all; and if they are not intelligible, they belong to some other set of conventions entirely and are therefore irrelevant."
In her essay "Sophistry about Conventions," philosopher Martha Nussbaum argues that Stanley Fish's theoretical views are based on "extreme relativism and even radical subjectivism." Discounting his work as nothing more than sophistry, Nussbaum claims that Fish "relies on the regulative principle of non-contradiction in order to adjudicate between competing principles," thereby relying on normative standards of argumentation even as he argues against them. Offering an alternative, Nussbaum cites John Rawls's work in A Theory of Justice to highlight "an example of a rational argument; it can be said to yield, in a perfectly recognizable sense, ethical truth." Nussbaum appropriates Rawls's critique of the insufficiencies of Utilitarianism, showing that a rational person will consistently prefer a system of justice that acknowledges boundaries between separate persons rather than relying on the aggregation of the sum total of desires. "This," she claims, "is all together different from rhetorical manipulation."
Camille Paglia, author of Sexual Personae and public intellectual, denounced Fish as a "totalitarian Tinkerbell," charging him with hypocrisy for lecturing about multiculturalism from the perspective of a tenured professor at the homogeneous and sheltered ivory tower of Duke.
David Hirsch, a prominent critic of post-structuralist influences on hermeneutics, censured Fish for "lapses in logical rigor" and "carelessness toward rhetorical precision." In an examination of Fish's arguments, Hirsch attempts to demonstrate that "not only was a restoration of New Critical methods unnecessary, but that Fish himself had not managed to rid himself of the shackles of New Critical theory." Hirsch compares Fish's work to Penelope's loom in the Odyssey, stating, "what one critic weaves by day, another unweaves by night." "Nor," he writes, "does this weaving and unweaving constitute a dialectic, since no forward movement takes place." Ultimately, Hirsch sees Fish as left to "wander in his own Elysian fields, hopelessly alienated from art, from truth, and from humanity."
Fish received the PEN/Diamonstein-Spielvogel Award for the Art of the Essay in 1994 for There's No Such Thing As Free Speech, and it's a Good Thing, Too
|Wikiquote has a collection of quotations related to: Stanley Fish|
Dictionary and translator for handheld
New : sensagent is now available on your handheld
A windows (pop-into) of information (full-content of Sensagent) triggered by double-clicking any word on your webpage. Give contextual explanation and translation from your sites !
With a SensagentBox, visitors to your site can access reliable information on over 5 million pages provided by Sensagent.com. Choose the design that fits your site.
Improve your site content
Add new content to your site from Sensagent by XML.
Crawl products or adds
Get XML access to reach the best products.
Index images and define metadata
Get XML access to fix the meaning of your metadata.
Please, email us to describe your idea.
Lettris is a curious tetris-clone game where all the bricks have the same square shape but different content. Each square carries a letter. To make squares disappear and save space for other squares you have to assemble English words (left, right, up, down) from the falling squares.
Boggle gives you 3 minutes to find as many words (3 letters or more) as you can in a grid of 16 letters. You can also try the grid of 16 letters. Letters must be adjacent and longer words score better. See if you can get into the grid Hall of Fame !
Change the target language to find translations.
Tips: browse the semantic fields (see From ideas to words) in two languages to learn more.