definition of Wikipedia
September 7, 1900|
|Died||August 30, 1985
Janet Miriam Holland Taylor Caldwell (September 7, 1900 – August 30, 1985) was an Anglo-American novelist and prolific author of popular fiction, also known by the pen names Marcus Holland and Max Reiner, and by her married name of J. Miriam Reback.
In her fiction, she often used real historical events or persons. Taylor Caldwell's best-known works include Dynasty of Death, Dear and Glorious Physician (about Saint Luke), and The Captains and the Kings. Her last major novel, Answer as a Man, appeared in 1980.
Taylor Caldwell was born in Manchester, England, into a family of Scottish background. Her family descended from the Scottish clan of MacGregor of which the Taylors are a subsidiary clan. In 1907 she emigrated to the United States with her parents and younger brother. Her father died shortly after the move, and the family struggled. At the age of eight she started to write stories, and in fact wrote her first novel, The Romance of Atlantis, at the age of twelve (although it remained unpublished until 1975). She continued to write prolifically, however, despite ill health. (In 1947, according to TIME magazine, her husband Marcus Reback discarded and burned the manuscripts of 140 unpublished novels.)
In 1918-1919, she served in the United States Navy Reserve. In 1919 she married William F. Combs. In 1920, they had a daughter, Mary (known as "Peggy"). From 1923 to 1924 she was a court reporter in New York State Department of Labor in Buffalo, New York. In 1924, she went to work for the United States Department of Justice, as a member of the Board of Special Inquiry (an immigration tribunal) in Buffalo. In 1931 she graduated from the University of Buffalo, and also was divorced from William Combs.
Caldwell then married her second husband, Marcus Reback, a fellow Justice employee. She had a second child with Reback, a daughter Judith, in 1932. They were married for 40 years, until his death in 1971.
In 1934, she began to work on the novel Dynasty of Death, which she and Reback completed in collaboration. It was published in 1938 and became a best-seller. "Taylor Caldwell" was presumed to be a man, and there was some public stir when the author was revealed to be a woman. Over the next 43 years, she published 42 more novels, many of them best-sellers. For instance, This Side of Innocence was the biggest fiction seller of 1946. Her works sold an estimated 30 million copies. She became wealthy, traveling to Europe and elsewhere, though she still lived near Buffalo.
Her books were big sellers right up to the end of her career. In 1979, she signed a two-novel deal for $3.9 million. 
During her career as a writer, she received several awards.
Her memoir, On Growing Up Tough, appeared in 1971, consisting of many edited-down articles from American Opinion.
Around 1970, she became interested in reincarnation. She had become friends with well-known occultist author Jess Stearn, who suggested that the vivid detail in her many historical novels was actually subconscious recollection of previous lives. Supposedly, she agreed to be hypnotized and undergo "past life regression" to disprove reincarnation. According to Stearn's book, The Search of a Soul - Taylor Caldwell's Psychic Lives (1973), Caldwell instead began to recall her own past lives - eleven in all, including one on the "lost continent" of Lemuria.
In 1972, she married William Everett Stancell, a retired real estate developer, but divorced him in 1973. In 1978, she married William Robert Prestie, an eccentric Canadian 17 years her junior. This led to difficulties with her children. She had a long dispute with her daughter Judith over the estate of Judith's father Marcus; in 1979, Judith committed suicide.
Also in 1979, Caldwell suffered a stroke, which left her unable to speak, though she could still write. (She had been deaf since about 1965.) Her daughter Peggy accused Prestie of abusing and exploiting Caldwell, and there was a legal battle over her substantial assets.
Dynasty of Death was her first published work, a family saga lasting from 1837 to World War I, about two families in western Pennsylvania who rise to control a great armaments business. The story was continued in The Eagles Gather (1940) and The Final Hour (1944).
As a writer Caldwell was praised for her intricately plotted and suspenseful stories, which depicted family tensions and the development of the U.S. from an agrarian society into the leading industrial state of the world. Caldwell's heroes are self-made men of pronounced ethnic background, such as the German immigrants in The Strong City (1942) and The Balance Wheel (1951). Her themes are ethnic, religious and personal intolerance (The Wide House, 1945), the failure of parental discipline (Let Love Come Last, 1949) and the conflict between the desire for power and money and the human values of love and sense of family (Melissa (1948), A Prologue to Love (1962), and Bright Flows the River (1978)).
In her later works Caldwell explored the American Dream and wrote stories of the "rags to riches" course of life. Among these was her last great best-seller, Captains and the Kings (1972), which chronicles the rise to wealth of a poor Irish immigrant to America in the 1800s. Captains and the Kings was made into a television mini-series in 1976. Another was her last novel, Answer as a Man (1980).
She wrote many historical novels, including several about famous religious figures.
In The Earth Is the Lord's (1941), she fictionalized Genghis Khan; in The Arm and the Darkness (1943), Cardinal Richelieu; in A Pillar of Iron (1965), the Roman senator and orator Cicero; and in Glory and the Lightning (1974), Aspasia, mistress of the Athenian leader Pericles.
Caldwell addressed religious themes in several works.
For instance, Answer as a Man begins with the clamor of the bells of a little church and ends with an evocation of renewed faith.
In Dialogues with the Devil (1967) Caldwell explicitly addresses religious subjects: the story is in the form of correspondence between Lucifer and Michael. Mixed into this dialogue are old tales, stories of a lost continent and of other worlds, and theological speculations.
"The nature of human beings never changes; it is immutable. The present generation of children and the present generation of young adults from the age of thirteen to eighteen is, therefore, no different from that of their great-great-grandparents. Political fads come and go; theories rise and fall; the scientific ‘truth’ of today becomes the discarded error of tomorrow. Man’s ideas change, but not his inherent nature. That remains. So, if the children are monstrous today – even criminal – it is not because their natures have become polluted, but because they have not been taught better, nor disciplined.” – On Growing Up Tough, chapter The Purple Lodge
In her 1957 social/political article "Honoria" she chronicles the rise and fall of the fictitious country she calls "Honoria". She ends the article with a very foreboding rebuke of society. “It is a stern fact of history that no nation that rushed to the abyss ever turned back. Not ever, in the long history of the world. We are now on the edge of the abyss. Can we, for the first time in history, turn back? It is up to you.”
Many of Caldwell's books centered on the idea that a small cabal of rich, powerful men secretly control the world.
|Wikiquote has a collection of quotations related to: Taylor Caldwell|
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