Dictionary and translator for handheld
New : sensagent is now available on your handheld
A windows (pop-into) of information (full-content of Sensagent) triggered by double-clicking any word on your webpage. Give contextual explanation and translation from your sites !
With a SensagentBox, visitors to your site can access reliable information on over 5 million pages provided by Sensagent.com. Choose the design that fits your site.
Improve your site content
Add new content to your site from Sensagent by XML.
Crawl products or adds
Get XML access to reach the best products.
Index images and define metadata
Get XML access to fix the meaning of your metadata.
Please, email us to describe your idea.
Lettris is a curious tetris-clone game where all the bricks have the same square shape but different content. Each square carries a letter. To make squares disappear and save space for other squares you have to assemble English words (left, right, up, down) from the falling squares.
Boggle gives you 3 minutes to find as many words (3 letters or more) as you can in a grid of 16 letters. You can also try the grid of 16 letters. Letters must be adjacent and longer words score better. See if you can get into the grid Hall of Fame !
Change the target language to find translations.
Tips: browse the semantic fields (see From ideas to words) in two languages to learn more.
|The Singing Detective|
|Created by||Dennis Potter|
|Country of origin||UK|
|No. of episodes||6|
|Executive producer(s)||Rick McCallum|
|Original run||16 November 1986 – 21 December 1986|
The Singing Detective is a BBC television miniseries written by Dennis Potter, which stars Michael Gambon, and was directed by Jon Amiel. The six episodes were "Skin", "Heat", "Lovely Days", "Clues", "Pitter Patter" and "Who Done It".
The serial was broadcast in the United Kingdom on BBC1 in 1986 on Sunday nights at 8pm from 16 November to 21 December with later PBS and cable television showings in the United States. It won a Peabody Award in 1989. It ranks 20th on the British Film Institute's list of the 100 Greatest British Television Programmes, as voted by industry professionals in 2000. It was included in the 1992 Dennis Potter retrospective at the Museum of Television & Radio and became a permanent addition to the Museum's collections in New York and Los Angeles. There was co-production funding from the Australian Broadcasting Corporation. It was released on DVD in the US on 15 April 2003 and in the UK on 8 March 2004.
Mystery writer Philip E. Marlow is suffering writer's block and is hospitalised because his psoriatic arthritis, a chronic skin and joint disease, is at an acute stage forming lesions and sores over his entire body, and partially cripples his hands and feet. Dennis Potter suffered from this disease himself, and he wrote with a pen tied to his fist much in the same fashion Marlow does in the last episode. Although severe, Marlow's case was intentionally understated compared to Potter's real case: Potter's skin would sometimes crack and bleed.
As a result of constant pain, a fever caused by the condition, and his refusal to take medication, Marlow falls into a fantasy world involving his Chandleresque novel, The Singing Detective, an escapist adventure about a detective (also named "Philip Marlow") who sings at a dance hall and takes the jobs "the guys who don't sing" won't take.
The real Marlow also experiences flashbacks to his childhood in rural England, and his mother's life in wartime London. The rural location is presumably the Forest of Dean, Potter's birthplace and the location for filming, but this is never stated explicitly (though the young Philip's references to his home in "the Forest" come close). The suicide of his mother is one of several recurring images in the series; Marlow uses it (whether subconsciously or not) in his murder mystery, and sometimes replaces her face with different women in his life, real and imaginary. The noir mystery, however, is never actually solved; all that is ultimately revealed is an intentionally vague plot involving smuggled Nazi war criminals being protected by the Allies and Soviet agents attempting to stop them. This perhaps reflects Marlow's view that fiction should be "all clues and no solutions".
The three worlds of the hospital, the noir thriller, and wartime England often merge in Marlow's mind, resulting a fourth layer, in which character interactions that would otherwise be impossible (e.g. fictional characters interacting with non-fictional characters) occur. This is evident in that many of Marlow's friends and enemies (perceived or otherwise) are represented by characters in the novel: particularly, one of the boys from his childhood, Mark Binney, becomes conflated with Raymond, Marlow's mother's lover, and appears as the central antagonist in the "real" and noir worlds (although the "real" Binney/Finney is ultimately a fantasy as well). The use of Binney as a villain stems from an event in his early childhood where Marlow framed the young Binney for defecating on a the desk of a disciplinarian elementary teacher (Janet Henfrey), a perverse act of vengeance for the affair Marlow has witnessed between his own mother and Binney's father Raymond. The innocent Binney is brutally beaten in front of the student body, and Marlow is lauded for telling the "truth". These events haunt Marlow, as it is revealed that the real Binney eventually ends up in a mental institution. The villainous Binney/Finney character is killed off in both realities.
Some members of the cast each play several different parts: Marlow and his alter-ego, the singing detective, are both played by Gambon. Marlow as a boy is played by Lyndon Davies. Patrick Malahide plays three central characters - the contemporary Finney, who Marlow thinks is having an affair with his ex-wife Nicola, played by Janet Suzman; the imaginary Binney, a central character in the murder plot; and Raymond, a friend of Marlow's father who has an affair with his mother (Alison Steadman). Steadman plays both Marlow's mother, and the mysterious "Lili", one of the murder victims. At the end of the serial Marlow and Nicola appear to have repaired their relationship.
In Potter's original script, the hospital scenes and noir scenes were to be shot with television (video) and film cameras respectively, with the period material (Marlow's childhood) filmed in black-and-white. However, all scenes were ultimately shot on film, over Potter's objections. Potter wanted the hospital scenes to maintain the sensibility of sitcom conventions. Although this was tempered in the final script, some character interactions retain this concept. For example, Mr. Hall and Reginald, who are also intended to serve as a mock chorus for the main action occurring in the hospital.
Originally, the title of the series was "Smoke Rings", and the Singing Detective noir thriller was to be dropped after the first episode; Potter felt it would not hold the audience's attention. The title may have referred to a particular monologue Marlow has in the first episode, referring to the fact that, despite everything else, the one thing he really wants is a cigarette. Marlow's medical and mental progress is subtly gauged by his ability to reach over to his dresser and get his cigarettes.
Borrowing portions of his first novel, Hide and Seek (1973), Potter added autobiographical aspects (or, as he put it, deeply "personal" aspects), along with 1940s popular music and the aforementioned film noir stylistics. The result is regarded by some as one of the peaks of 20th-century drama. Marlow's hallucinations are not far from the Philip Marlowe in Murder, My Sweet, the 1944 film adaptation of Raymond Chandler's Farewell, My Lovely, with Dick Powell as Marlowe. Powell himself would later portray a "singing detective" on radio's Richard Diamond, Private Detective, serenading his girlfriend, Helen Asher (Virginia Gregg), at the end of each episode.
Although The Singing Detective did not meet with spectacular viewing figures, it proved influential within the television industry. The serial met with considerable critical praise in America. Steven Bochco has credited the serial as the chief inspiration for Cop Rock (1990), although unlike The Singing Detective, Bochco's drama features specially recorded musical numbers rather than pre-existing work.
As well as its dark themes, the series is notable for its use of 1940s-era music, often incorporated into surreal musical numbers. This is a device Potter used in his earlier miniseries Pennies from Heaven. The main theme music is the classic "Peg o' My Heart", of Ziegfeld Follies fame. The upbeat music as the theme for such a dark story is perhaps a reference to Carol Reed's The Third Man, with a harmonica in the place of a zither (The Third Man is indeed referenced in a number of camera shots, according to DVD commentary). Director Jon Amiel compiled and spliced the generic thriller music used throughout the series from 60 library tapes he had brought together.
The following is a chronological soundtrack listing:
The soundtrack was released on vinyl in two different releases:
1986 release: "The Singing Detective" *(BBC Records CD 608)
1988 release: "The Other Side Of The Singing Detective" (BBC Records and Tapes BBC CD 708)
Later releases on CD are:
2002 (Portugal) Music from the Singing Detective and More (Golden Star GSS 5349) (3 CD)
2002 (Portugal) Music from "The Singing Detective" (The Wonderful Music of WMO 90375) (1 CD)
|Wikiquote has a collection of quotations related to: The Singing Detective|