1.a substance used as a coating to protect or decorate a surface (especially a mixture of pigment suspended in a liquid); dries to form a hard coating"artists use `paint' and `pigment' interchangeably"
2.makeup consisting of a pink or red powder applied to the cheeks
3.(basketball) a space (including the foul line) in front of the basket at each end of a basketball court; usually painted a different color from the rest of the court"he hit a jump shot from the top of the key" "he dominates play in the paint"
1.apply paint to; coat with paint"We painted the rooms yellow"
2.apply a liquid to; e.g., paint the gutters with linseed oil
3.make a painting of"He painted his mistress many times"
4.make a painting"he painted all day in the garden" "He painted a painting of the garden"
1.decorate with colors"color the walls with paint in warm tones"
2.apply a liquid to; e.g., paint the gutters with linseed oil
PaintPaint (pānt), v. t. [imp. & p. p. Painted; p. pr. & vb. n. Painting.] [OE. peinten, fr. F. peint, p. p. of peindre to paint, fr. L. pingere, pictum; cf. Gr. poiki`los many-colored, Skr. piç to adorn. Cf. Depict, Picture, Pigment, Pint.]
1. To cover with coloring matter; to apply paint to; as, to paint a house, a signboard, etc.
Jezebel painted her face and tired her head. 2 Kings ix. 30.
2. Fig.: To color, stain, or tinge; to adorn or beautify with colors; to diversify with colors.
Not painted with the crimson spots of blood. Shak.
Cuckoo buds of yellow hue
Do paint the meadows with delight. Shak.
3. To form in colors a figure or likeness of on a flat surface, as upon canvas; to represent by means of colors or hues; to exhibit in a tinted image; to portray with paints; as, to paint a portrait or a landscape.
4. Fig.: To represent or exhibit to the mind; to describe vividly; to delineate; to image; to depict; as, to paint a political opponent as a traitor.
The word is too good to paint out her wickedness. Shak.
If folly grow romantic, I must paint it. Pope.
Syn. -- To color; picture; depict; portray; delineate; sketch; draw; describe.
PaintPaint, v. t.
1. To practice the art of painting; as, the artist paints well.
2. To color one's face by way of beautifying it.
Let her paint an inch thick. Shak.
1. (a) A pigment or coloring substance. (b) The same prepared with a vehicle, as oil, water with gum, or the like, for application to a surface.
2. A cosmetic; rouge. Praed.
definition of Wikipedia
Indian paint • coat of paint • house paint • oil paint • paint a picture • paint gun • paint leaf • paint roller • paint scraper • paint spray gun • paint sprayer • paint spraying • paint the lily • paint the town red • paint tube • paint-box • paint-brush • war paint • water-base paint
2 Paint It Gold • Acrylic paint • Aerosol paint • Alice no Paint Adventure • Alive in Wild Paint • American Paint Horse • American Paint Horse Association • Amtrak paint schemes • Anti-climb paint • Anti-fouling paint • Behind the Paint • Behr (paint) • Blacklight paint • Bristol Paint • Casein paint • Chrome and Paint • Cook Paint and Varnish Company • Corel Paint Shop Pro • Corel Photo-Paint • Corpse paint • Corpse paint in heavy metal • Danny Dunn and the Anti-Gravity Paint • Deluxe Paint • Deluxe Paint Animation • Digital ink and paint • Distemper (paint) • Electro-paint • Electrophoretic paint • Enamel paint • Environmental issues with paint • Face paint • Finger paint • Finger-paint • Fountain Paint Pots • Fresh Paint • GNU Paint • Gloss (paint) • Henry Nicholas Paint • Historic paint analysis • I Love to Paint • I Remember Better When I Paint • I'll Paint You a Song • I'll Paint the Sky • Ice Cream Paint Job • Indian Paint Brush • Insulative paint • Kanawha and Paint Creek Railway • Lead Based Paint • Lead Paint Safety Association • Lead-based paint in the United Kingdom • Lead-based paint in the United States • Let the Picture Paint Itself • Let's Paint TV • List of RLM paint designations • Luminous paint • Magna paint • Mario Paint • Mario Paint Composer • Metallic paint • Microsoft Paint • Milk paint • Must I Paint You a Picture? The Essential Billy Bragg • My Kid Could Paint That • My Name Is Alan and I Paint Pictures • New Coat of Paint • Nova Color Artists Acrylic Paint • Oil paint • Paint (band) • Paint (disambiguation) • Paint (software) • Paint Bank, Virginia • Paint Box (song) • Paint Branch • Paint Branch High School • Paint By DS • Paint Creek • Paint Creek (Clear Fork Brazos River) • Paint Creek (Iowa) • Paint Creek (Michigan) • Paint Creek (Ohio) • Paint Creek Archeological Site • Paint Creek Independent School District • Paint Creek State Park • Paint Creek Township, Allamakee County, Iowa • Paint Creek, Texas • Paint Dancers • Paint Dancing • Paint Hills Islands • Paint It Black (band) • Paint It Black (disambiguation) • Paint It Black (novel) • Paint It, Black • Paint Lick, Kentucky • Paint Me a Birmingham • Paint My Love • Paint NET • Paint Pastel Princess • Paint River • Paint Rock • Paint Rock Bluff • Paint Rock Independent School District • Paint Rock River • Paint Rock, Alabama • Paint Rock, Texas • Paint Shop Pro Photo 12.01 • Paint Township • Paint Township, Clarion County, Pennsylvania • Paint Township, Fayette County, Ohio • Paint Township, Highland County, Ohio • Paint Township, Holmes County, Ohio • Paint Township, Madison County, Ohio • Paint Township, Ohio • Paint Township, Ross County, Ohio • Paint Township, Somerset County, Pennsylvania • Paint Township, Wayne County, Ohio • Paint Valley High School • Paint Your Dragon • Paint Your Target • Paint Your Wagon • Paint Your Wagon (album) • Paint Your Wagon (film) • Paint Your Wagon (musical) • Paint and Paint • Paint animation • Paint as a Fragrance • Paint brush • Paint by Number (album) • Paint by number • Paint by numbers • Paint chat • Paint marker • Paint mask • Paint mine • Paint on glass • Paint on glass animation • Paint recycling • Paint robot • Paint roller • Paint sealant • Paint shop • Paint spray • Paint sprayer • Paint stripper • Paint the Sky with Stars • Paint the Town • Paint the Town Red • Paint thinner • Paint your wagon simpsons • Paint, Pennsylvania • Paint-on-glass • Paint-on-glass animation • Paint-on-glass-animated • Paint.NET • Paint.NET v2.6 • Paint.NET v2.62 • Paint.NET v2.70 • Paint.NET v3.0 • Paint.NET v3.01 • Paint.NET v3.08 • Paint.NET v3.10 • Paint.NET v3.20 • Paint.NET v3.22 • Paint.NET v3.31 • Paint.NET v3.36 • Paradise (Paint It Black album) • Photon Paint • Pictor Paint • Picture Bleeds Paint • Plättchen Twist 'n' Paint • Pocket Paint • Poster paint • Pressure sensitive paint • Pressure-sensitive paint • Recycled paint • Rodda Paint • Satori Paint • Silicate mineral paint • Special paint scheme • Spray paint art • Spray-paint • Striped paint • The Blue Paint Killer • The Ink and Paint Club • The Revolving Paint Dream • Thermochromic paint • To Paint or Make Love • Tradin' Paint • Tree paint • Ultimate Paint • War Paint • War Paint (1926 film) • War Paint (1953 film) • Water miscible oil paint • Watercolor paint • Wet paint sign • When I Paint My Masterpiece • When Life Gives You Lemons, You Paint That Shit Gold • Why Cats Paint • Why Paint Cats
outil du peintre (fr)[ClasseParExt.]
produit utilisé en peinture (fr)[ClasseParExt.]
cake, coat, stick - coat, surface - change color, change colour, color, colour, discolor, discolour, fade - color, colour, emblazon, paint - color, colour - colorist - house painting, painting - painting - emulsion paint, paint, pigment, watercolor, watercolour - painter - painting - painting, picture - painter, paintress, visual artist[Dérivé]
couvrir de poudre (fr)[Classe]
beauty product; cosmetic[ClasseHyper.]
(beauty product; cosmetic)[Thème]
sport de ballon au sol (fr)[Classe]
basketball, basketball game, hoops[Domaine]
color; colour; coloring; colouring[ClasseHyper.]
beautification - decoration - adornment - embellishment, ornamentation - adornment, decoration, embellishment, ornament, ornamentation - decor, décor, interior decoration - beauty, loveliness - grace, gracefulness, gracility - decorator, ornamentalist - cosmetic, decorative, fancy, ornamental - color, color in, colorise, colorize, colour, colour in, colourise, colourize - color, colour, emblazon, paint - change color, change colour, color, colour, discolor, discolour, fade - colorist - colored, colorful, coloured - uncolored, uncoloured - color, colour - color, coloring, colour, colouring - color, coloring material, colour, colouring material - color, colour[Dérivé]
slop; paint; blot[ClasseHyper.]
paint (v. tr.)
paint (v. tr.)
paint (v. tr.)
paint (v. tr.)
visual artist; paintress; painter[ClasseHyper.]
art; artistic creation; artistic production[ClasseHyper.]
re-create - beaux arts, fine arts - coat, coating - color, coloring material, colour, colouring material - graphic art - artist, artiste, creative person - creation, creative activity - end result, end-result, final result, final score, outcome, result, resultant, termination, upshot[Hyper.]
paint (v. tr.)
visual artist; paintress; painter[ClasseHyper.]
art; artistic creation; artistic production[ClasseHyper.]
act, move - art, artistic creation, artistic production - beaux arts, fine arts - coat, coating - color, coloring material, colour, colouring material - graphic art - artist, artiste, creative person - end result, end-result, final result, final score, outcome, result, resultant, termination, upshot[Hyper.]
creation, creative activity - creator - creative - creative, inventive, originative - paint - paint - paint - paint - depict, picture, render, show - depict, limn, portray - pictorial, pictural - painterly[Dérivé]
paint (v. tr.)
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Paint is any liquid, liquefiable, or mastic composition which, after application to a substrate in a thin layer, is converted to a solid film. It is most commonly used to protect, color or provide texture to objects.
In 2011, South African archeologists reported finding a 100,000 year old human-made ochre-based mixture which may have been used like paint. Cave paintings drawn with red or yellow ochre, hematite, manganese oxide, and charcoal may have been made by early Homo sapiens as long as 40,000 years ago.
Ancient colored walls at Dendera, Egypt, which were exposed for years to the elements, still possess their brilliant color, as vivid as when they were painted about 2,000 years ago. The Egyptians mixed their colors with a gummy substance, and applied them separate from each other without any blending or mixture. They appeared to have used six colors: white, black, blue, red, yellow, and green. They first covered the area entirely with white then traced the design in black, leaving out the lights of the ground color. They used minium for red, and generally of a dark tinge.
Pliny mentions some painted ceilings in his day in the town of Ardea, which had been done prior to the foundation of Rome. He expresses great surprise and admiration at their freshness, after the lapse of so many centuries.
Paint was made with the yolk of eggs and therefore, the substance would harden and adhere to the surface it is applied to. Pigment was made from plants, sand, and different soils.
|This unreferenced section requires citations to ensure verifiability.|
The binder, commonly called the vehicle, is the film-forming component of paint. It is the only component that must be present. Components listed below are included optionally, depending on the desired properties of the cured film.
The binder imparts adhesion and strongly influences such properties as gloss, durability, flexibility, and toughness.
Binders include synthetic or natural resins such as alkyds, acrylics, vinyl-acrylics, vinyl acetate/ethylene (VAE), polyurethanes, polyesters, melamine resins, epoxy, or oils. Binders can be categorized according to the mechanisms for drying or curing. Although drying may refer to evaporation of the solvent or thinner, it usually refers to oxidative cross-linking of the binders and is indistinguishable from curing. Some paints form by solvent evaporation only, but most rely on cross-linking processes.
Paints that dry by solvent evaporation and contain a solid binder dissolved in a solvent are known as lacquers. A solid film forms when the solvent evaporates, and because the film can re-dissolve in solvent, lacquers are unsuitable for applications where chemical resistance is important. Classic nitrocellulose lacquers fall into this category, as do non-grain raising stains composed of dyes dissolved in solvent and more modern acrylic-based coatings such as 5-ball Krylon aerosol. Performance varies by formulation, but lacquers generally tend to have better UV resistance and lower corrosion resistance than comparable systems that cure by polymerization or coalescence.
Latex paint is a water-borne dispersion of sub-micrometre polymer particles. The term "latex" in the context of paint simply means an aqueous dispersion; latex rubber (the sap of the rubber tree that has historically been called latex) is not an ingredient. These dispersions are prepared by emulsion polymerization. Latex paints cure by a process called coalescence where first the water, and then the trace, or coalescing, solvent, evaporate and draw together and soften the latex binder particles and fuse them together into irreversibly bound networked structures, so that the paint will not redissolve in the solvent/water that originally carried it. The residual surfactants in paint as well as hydrolytic effects with some polymers cause the paint to remain susceptible to softening and, over time, degradation by water.
Paints that cure by oxidative crosslinking are generally single package coatings. When applied, the exposure to oxygen in the air starts a process that crosslinks and polymerizes the binder component. Classic alkyd enamels would fall into this category. Oxidative cure coatings are catalyzed by metal complex driers such as cobalt naphthenate.
Paints that cure by polymerization are generally one or two package coatings that polymerize by way of a chemical reaction and which cure into a crosslinked film. Depending on composition they may need to dry first, by evaporation of solvent. Classic two package epoxies or polyurethanes would fall into this category.
There are paints called plastisols/organosols, which are made by blending PVC granules with a plasticiser. These are stoved and the mix coalesceses.
Recent environmental requirements restrict the use of volatile organic compounds (VOCs), and alternative means of curing have been developed, particularly for industrial purposes. In UV curing paints, the solvent is evaporated first, and hardening is then initiated by ultraviolet light. In powder coatings there is little or no solvent, and flow and cure are produced by heating of the substrate after electrostatic application of the dry powder.
The main purposes of the diluent are to dissolve the polymer and adjust the viscosity of the paint. It is volatile and does not become part of the paint film. It also controls flow and application properties, and in some cases can affect the stability of the paint while in liquid state. Its main function is as the carrier for the non volatile components. To spread heavier oils (for example, linseed) as in oil-based interior housepaint, a thinner oil is required. These volatile substances impart their properties temporarily—once the solvent has evaporated, the remaining paint is fixed to the surface.
This component is optional: some paints have no diluent.
Water is the main diluent for water-borne paints, even the co-solvent types.
Solvent-borne, also called oil-based, paints can have various combinations of organic solvents as the diluent, including aliphatics, aromatics, alcohols, ketones and white spirit. Specific examples are organic solvents such as petroleum distillate, esters, glycol ethers, and the like. Sometimes volatile low-molecular weight synthetic resins also serve as diluents.
Pigments are granular solids incorporated in the paint to contribute color. Fillers are granular solids incorporate to impart toughness, texture, give the paint special properties, or to reduce the cost of the paint. Alternatively, some paints contain dyes instead of or in combination with pigments.
Pigments can be classified as either natural or synthetic types. Natural pigments include various clays, calcium carbonate, mica, silicas, and talcs. Synthetics would include engineered molecules, calcined clays, blanc fixe, precipitated calcium carbonate, and synthetic pyrogenic silicas.
Hiding pigments, in making paint opaque, also protect the substrate from the harmful effects of ultraviolet light. Hiding pigments include titanium dioxide, phthalo blue, red iron oxide, and many others.
Fillers are a special type of pigment that serve to thicken the film, support its structure and increase the volume of the paint. Fillers are usually cheap and inert materials, such as diatomaceous earth, talc, lime, barytes, clay, etc. Floor paints that will be subjected to abrasion may contain fine quartz sand as a filler. Not all paints include fillers. On the other hand, some paints contain large proportions of pigment/filler and binder.
Some pigments are toxic, such as the lead pigments that are used in lead paint. Paint manufacturers began replacing white lead pigments with the less toxic substitute, titanium white (titanium dioxide), before lead was banned in paint for residential use in 1978 by the US Consumer Product Safety Commission. The titanium dioxide used in most paints today is often coated with silica/alumina/zirconium for various reasons, such as better exterior durability, or better hiding performance (opacity) promoted by more optimal spacing within the paint film.
Besides the three main categories of ingredients, paint can have a wide variety of miscellaneous additives, which are usually added in small amounts, yet provide a significant effect on the product. Some examples include additives to modify surface tension, improve flow properties, improve the finished appearance, increase wet edge, improve pigment stability, impart antifreeze properties, control foaming, control skinning, etc. Other types of additives include catalysts, thickeners, stabilizers, emulsifiers, texturizers, adhesion promoters, UV stabilizers, flatteners (de-glossing agents), biocides to fight bacterial growth, and the like.
Additives normally do not significantly alter the percentages of individual components in a formulation.
Various technologies exist for making paints that change color. Thermochromic paints and coatings contain materials that change conformation when heat is applied, and so they change color. Liquid crystals have been used in such paints, such as in the thermometer strips and tapes used in aquaria. Photochromic paints and coatings contain dyes that change conformation when the film is exposed to UV light, and so they change color. These materials are used to make eyeglasses.
Color changing paints can also be made by adding halochrome compounds or other organic pigments. One patent cites use of these indicators for wall coating applications for light colored paints. When the paint is wet it is pink in color but upon drying it regains its original white color. As cited in patent, this property of the paint enabled two or multiple coats to be applied on a wall properly and evenly. The previous coat/s having dried would be white whereas the new wet coat would be distinctly pink. Ashland Inc. introduced foundry refractory coatings with similar principle in 2005 for use in foundries.
Electrochromic paints change color in response to an applied electric current. Car manufacturer Nissan has been reportedly working on an electrochromic paint, based on particles of paramagnetic iron oxide. When subjected to an electromagnetic field the paramagnetic particles change spacing, modifying their color and reflective properties. The electromagnetic field would be formed using the conductive metal of the car body. Electrochromic paints can be applied to plastic substrates as well, using a different coating chemistry. The technology involves using special dyes that change conformation when an electric current is applied across the film itself. Recently, this new technology has been used to achieve glare protection at the touch of a button in passenger airplane windows.
Since the time of the Renaissance, siccative (drying) oil paints, primarily linseed oil, have been the most commonly used kind of paints in fine art applications; oil paint is still common today. However, in the 20th century, water-based paints, including watercolors and acrylic paints, became very popular with the development of acrylic and other latex paints. Milk paints (also called casein), where the medium is derived from the natural emulsion that is milk, were popular in the 19th century and are still available today. Egg tempera (where the medium is an emulsion of egg yolk mixed with oil) is still in use as well, as are encaustic wax-based paints. Gouache is a variety of opaque watercolor which was also used in the Middle Ages and Renaissance for manuscript illuminations. The pigment was often made from ground semiprecious stones such as lapis lazuli and the binder made from either gum arabic or egg white. Gouache, also known as 'designer color' or 'body color' is commercially available today.
Poster paint has been used primarily in the creation of student works, or by children.
Paint can be applied as a solid, a gaseous suspension (aerosol) or a liquid. Techniques vary depending on the practical or artistic results desired.
As a solid (usually used in industrial and automotive applications), the paint is applied as a very fine powder, then baked at high temperature. This melts the powder and causes it to adhere to the surface. The reasons for doing this involve the chemistries of the paint, the surface itself, and perhaps even the chemistry of the substrate (the object being painted). This is called "powder coating" an object.
As a gas or as a gaseous suspension, the paint is suspended in solid or liquid form in a gas that is sprayed on an object. The paint sticks to the object. This is called "spray painting" an object. The reasons for doing this include:
The application of the paint is fairly easily if done correctly. It is the prep work and order of operations that is tedious and detailed. Your first step when painting is to make sure you move all of the furniture, pictures,tables,etc out of the room and most importantly out of your work space. Next is to lay down tarps or drop cloths to protect your flooring, but most of all if you spill or splash any paint. The next step, wall preparation, is a detailed process which could involve anything from skim coating, spackling, caulking, sanding, priming, taping, etc. After all the prep work has been completed you can now begin painting. Usually your first step in painting should be the "cutting in phase". This phase includes the brushwork around the edges, windows, doors, trim, molding, ceiling or wall line, etc. It is up to the painter of the order of wall spaces he or her chooses to do first. For instance it does not matter if you cut in the ceiling, or paint the window trim first and paint the walls last or vies versa. What is important is that the user cuts in first on every wall space. From there, depending of your order of operation, you can break out the rollers and being rolling the large open space on each wall space. After you applied the necessary amount of coats to the wall, you can remove any tape left behind and clean up. It is recommended that you do not try to wash your walls for at least two weeks after painting to let the paint cure fully.
Rollers generally have a handle that allows for different lengths of poles to be attached, allowing painting at different heights. Generally, roller application requires two coats for even color. A roller with a thicker nap is used to apply paint on uneven surfaces. Edges are often finished with an angled brush.
After liquid paint is applied, there is an interval during which it can be blended with additional painted regions (at the "wet edge") called "open time." The open time of an oil or alkyd-based emulsion paint can be extended by adding white spirit, similar glycols such as Dowanol (propylene glycol ether) or open time prolongers. This can also facilitate the mixing of different wet paint layers for aesthetic effect. Latex and acrylic emulsions require the use of drying retardants suitable for water-based coatings.
Paint application by spray is the most popular method in industry. In this, paint is atomized by the force of compressed air or by the action of high pressure compression of the paint itself, and the paint is turned into small droplets which travel to the article which is to be painted. Alternate methods are airless spray, hot spray, hot airless spray, and any of these with an electrostatic spray included. There are numerous electrostatic methods available.
Dipping used to be the norm for objects such as filing cabinets, but this has been replaced by high speed air turbine driven bells with electrostatic spray. Car bodies are primed using cathodic elephoretic primer, which is applied by charging the body depositing a layer of primer. The unchanged residue is rinsed off and the primer stoved.
Many paints tend to separate when stored, the heavier components settling to the bottom, and require mixing before use. Some paint outlets have machines for mixing the paint by shaking the can vigorously for a few minutes.
The opacity and the film thickness of paint may be measured using a drawdown card.
Water-based paints tend to be the easiest to clean up after use; the brushes and rollers can be cleaned with soap and water.
Proper disposal of left over paint is a challenge. Sometimes it can be recycled: Old paint may be usable for a primer coat or an intermediate coat, and paints of similar chemistry can be mixed to make a larger amount of a uniform color.
To dispose of paint it can be dried and disposed of in the domestic waste stream, provided that it contains no prohibited substances (see container). Disposal of liquid paint usually requires special handling and should be treated as hazardous waste, and disposed of according to local regulations.
The main reasons of paint failure after application on surface are the applicator and improper treatment of surface.
Application Defects can be attributed to:
This usually occurs when the dilution of the paint is not done as per manufacturers recommendation. There can be a case of over dilution and under dilution, as well as dilution with the incorrect diluent.
Foreign contaminants added without the manufacturers consent which results in various film defects.
Most commonly due to improper surface treatment before application and inherent moisture/dampness being present in the substrate.
Chalking is the progressive powdering of the paint film on the painted surface. The primary reason for the problem is polymer degradation of the paint matrix due to exposure of UV radiation in sunshine and condensation from dew. The degree of chalking varies as epoxies react quickly while acrylics and polyurethanes can remain unchanged for long periods.  The degree of chalking can be assessed according to International Standard ISO 4628 Part 6 or 7 or American Society of Testing and Materials(ASTM) Method D4214 (Standard Test Methods for Evaluating the Degree of Chalking of Exterior Paint Films).
Cracking of paint film is due to the unequal expansion or contraction of paint coats. It usually happens when the coats of the paint are not allowed to cure/dry completely before the next coat is applied. The degree of cracking can be assessed according to International Standard ISO 4628 Part 4 or ASTM Method D661 (Standard Test Method for Evaluating Degree of Cracking of Exterior Paints).
Erosion is very quick chalking. It occurs due to external agents like air,water etc. It can be evaluated using ASTM Method ASTM D662 (Standard Test Method for Evaluating Degree of Erosion of Exterior Paints).
Blistering is due to improper surface exposure of paint to strong sunshine. The degree of blistering can be assessed according to ISO 4628 Part 2 or ASTM Method D714 (Standard Test Method for Evaluating Degree of Blistering of Paints).
Volatile organic compounds (VOCs) in paint are considered harmful to the environment and especially for people who work with them on a regular basis. Exposure to VOCs has been related to organic solvent syndrome, although this relation has been somewhat controversial.
In the US, environmental regulations, consumer demand, and advances in technology led to the development of low-VOC and zero-VOC paints and finishes. These new paints are widely available and meet or exceed the old high-VOC products in performance and cost-effectiveness while having significantly less impact on human and environmental health.
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